Style Quotes
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Research the venue and location before outfit shopping, as it helps set the mood and style focus: a traditional wedding in the countryside offers a different set of sartorial rules to a tropical, beach vibe, for instance.
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I like to put a little spin on traditional styles as I see them now, probably somewhat inspired by my current job on Boardwalk Empire.
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I'm so fond of abstract design in the style of Vanderbilt and David Hicks and that whole 1970s era. They took the 1930s and gave it a bit of technicolour.
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Roy Jones is different. I like the style and the movement.
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If there is aught of good in the style, it is the result of ceaseless toil in rewriting. Everything comes out wrong with me at first; but when once objectified in a crude shape, I can torture and poke and scrape and pat it till it offends me no more.
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Ordinarily, I am the person who falls in love quickly and somewhat inappropriately and then goes on to destroy what is a good thing. That's always been my style. So, you know: I get it. And I feel right now the way I imagine all those guys felt with me. And I have to say, for the first time in my life, I feel something approaching compassion for them.
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My singing style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.
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When reviewers take the trouble to compliment a writer on her style, it is usually because she has made it easy for them to slide from one sentence to another like an otter down a slope.
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The world would have you believe that you are not significant, out of touch, and out of style. But remember who you are-a child of God! You must have the courage to stand out and let your light shine like a beacon for all to see.
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I think the biggest thing for me is being able to adjust to the way the game has changed. It's basically a 180-degree turn from the style I like to play. That's what I think I'm most proud of, being able to fit into this style of game and still be fairly successful.
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This book is intended for use in English courses in which the practice of composition is combined with the study of literature. It aims to give in a brief space the principal requirements of plain English style. It aims to lighten the task of instructor and student by concentrating attention (in Chapters II and III) on a few essentials, the rules of usage and principles of composition most commonly violated. The numbers of the sections may be used as references in correcting manuscript.
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I want a performance style that's more cerebral and emotional than physical. I want to be a creative artist, not a whirling dervish.
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I have this fear of coming across as a Barbie doll who got lucky. Style is a big part of who I am, but it's not who I am. Ya know?
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The Tao of Jen was very much the Tao of hiding everything that didn't look good. The Tao of Jen is wearing a cocktail dress with underwear with holes in it. The Tao of Jen is all style and no substance.
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I did not steal other people's work! I may have appropriated some styles, but I did not steal. My work is full... of homages to everyone in my medium - not theft!
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I like serving family-style or setting up a buffet. Everyone just goes to town, scoops their own food, and mixes their own drinks. You know how people love to come and watch you in the kitchen now and talk your ear off? If you give them something to do and something to drink, they don't do that as much.
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Every writer must find a way of writing that tells the reader: This is me and no one else. The Voice can be idiosyncratic, but it cannot be obscure. It is a blend of style and content and intent and rhythm and pure personality.
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My personal style is really different from 'Lemonade Mouth.'
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Don't all writers have a hidden nerve, call it a secret chamber, something irreducibly theirs, which stirs their prose and makes it tick and turn this way or that, and identifies them, like a signature, though it lurks far deeper than their style, or their voice or other telltale antics?
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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The whole idea of making 'James' was to make an action film in the style of the 1970s and '80s.
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My style is to have a big vision, a big commitment.
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Ellen DeGeneres is great. She has this natural style, and she makes comedy look so easy.
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All of the advice that I give, I'm not an expert by any means, but it's just my opinion. So if somebody likes me or likes y style or my career, I think they should have that feeling.
