Stage Quotes
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If me and Mike Dirnt are in the same room, it's not quite right if he's not on stage with me.
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Being on stage is the best part of my career. I just say whatever comes into my head. It's the only time I feel grown-up and in control of things.
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Getting on stage is a bonus, that's my therapy, that's when I can tell stories and it all makes sense.
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I can't wait for the Republican debates to start and there's literally 65 guys on one stage.
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When I do my solo concerts, I'm used to being on the stage for two hours solid, singing 16 songs. And when I did 'Funny Thing,' I was on the stage the whole time. This is much more difficult. It's the difference between racing and sprinting. This is sprinting. And I have to learn to pace myself.
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It was very early, and we were still like beta or alpha stage, and so we started receiving a ton of download. The server became overloaded, and that's when I realized that this had a huge market.
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We need to reach that happy stage of our development when differences and diversity are not seen as sources of division and distrust, but of strength and inspiration.
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I just go out and sing my songs. I don't put on elaborate stage shows with ridiculous fancy dress.
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To stand up on the stage is to say to many people: Look at me. How can you do that without speaking the only truth you know? There is no such thing as an uncommitted actor.
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Of all the roles I've done on the stage, I'm partial to Cyrano de Bergerac.
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People ask me if I have stage fright. I say, "God, no, I'm completely comfortable there. I have rest-of-the-day fright."
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I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.
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It's about what happens on stage, whether we can deliver it in a hungry way that is who we are in our hearts.
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I will be very calm because I am dreaming this so I will wake up in five minutes in Sarajevo. I'm dreaming that I'm here on this stage and dreaming that I'm here in Berlin.
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It's basically taking a 911 call, bringing them on stage and dealing with it just like when I was a Chicago policeman for 12 years. I personally become involved. Where Jerry lets people tell their story and lets everything happen on stage, I kind of go after the bad guy and protect the little guy.
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I’ve got a lot of people depending on me. I found I couldn’t lay down on my job. I was a nervous wreck and ready of a sanitarium. Then I decided to go back to the stage. To see of there was any of the real Pauline Frederick left. To find out if I could act after all these years of waste. I went back to the stage two years ago. It has been my salvation.
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To have lost is less disturbing than to wonder if we may possibly have won; and Eustacia could now, like other people at such a stage, take a standing-point outside herself, observe herself as a disinterested spectator, and think what a sport for Heaven this woman Eustacia was.
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Then I left school at 16 and worked in Perth Repertory Theatre, which was quite nearby where I lived. And I worked there for about six or seven months, as part of the stage crew.
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But I've always felt very comfortable on stage, even if I screw up. It always felt like a dog, this is my turf, piss around it. While I'm here, nothing else can happen. All I can do is screw up. Otherwise, have a good time.
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Right now I can't be sure that I will be back on stage. We have been touring for two years and that is way too much.
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But when I went on the stage to do a show, I would put on makeup because I felt that it enhanced my act; it drew attention to what I was doing.
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It's always a risky business inviting somebody on stage. You never know what they're going to do. I try to avoid letting people join me onstage because it can be very distracting, and overly theatrical.
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There are moments on stage when everything comes together. Then the kid in the front row coughs.
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I have never wanted to give up performing on stage, but one day the tours will be over.
