Trying Quotes
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I think the western is about people in harsh places trying to tame an unfriendly wilderness. Because life is defined by struggle, it's kind of the perfect microcosmic experience to explore that. 'Here we are, struggling.' It's about people persevering and persevering and persevering.
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The most dangerous thing Iraq could have ever had was a nuclear weapon. The nuclear weapon Iraq was trying to build was not deliverable by bomb or ballistic missile. It was a large, bulky device that they hoped to bury and set off to let the world know they had a nuclear weapon. They never achieved that.
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Actually, I think I'm part of the last generation to grow up believing in magic and fairies and believing I had powers - you know, lying on the ground and trying to have my spirit leave my body - which never happened; still working on that bit.
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I'm like a surfer right now. I'm just surfing the wave. Except that I can't swim, so I'm on the board trying to hold on tight.
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I was using them as teachers for technique but I was never trying to be a folk.
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If you skate with an Olympic level skater, they make you so much better because you're skating behind them, and you're trying to imitate their stride and their stance. It's like having the world's greatest training wheels.
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I just want to be great. I want to stand out, be a great leader for this defense, and I'm just trying to leave it all out on the field.
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I love technology. I love trying to tell stories in new ways using technology.
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World conditions challenge us to look beyond the status quo for responses to the pain of our times. We look to powers within as well as powers without. A new, spiritually based social activism is beginning to assert itself. It stems not from hating what is wrong and trying to fight it, but from loving what could be and making the commitment to bring it forth.
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Now I walk around with my head down, trying to hide, thinking that everybody knows that I inflicted people with HIV, because that is all they are going to read.
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The feminists took me as a role model, as a mother. It bothers me. I am not interested in being a mother. I am still a girl trying to understand myself.
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I've been left for someone...all those things...It was sometimes a surprise, and sometimes you saw t coming. The most painful was when I kept trying to get someone back. But we all make dumb mistakes.
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If possible, try to find a way to come downstairs that doesn't involve going bump, bump, bump, on the back of your head.
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When I grew up, and I think about City Council, I look at the men and women then - these were people who just wanted to be a part of the community and give something back. They weren't necessarily trying to use it as a steppingstone to something else. I looked up to those people.
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Being a musician makes you very - musicians in general tend to be quite sensitive, I think, to the environment around them, which helps when you are trying to interact with others on screen, to be aware, to be sensitive, and to try to understand what's going on in the scene.
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These 'mistakes' occur in my books for a reason. I have an agenda: I'm secretly trying to inspire kids to create their own stories and comics, and I don't want them to feel stifled by 'perfectionism.'
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You don't want to disappoint, or feel like you're trying to recreate the magic of something.
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It's really an interesting problem, trying to earn a living and serve art and serve kids. What I try to create are these visual layers so that readers feel the possibility exists that there might be something in the book they never saw before.
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'Back To Love' is a way of letting people know that sometimes you get caught up in trying to be successful in school or in your social life, and it's a reminder not to forget that each day people are getting older. Nobody is promised tomorrow, so we should make sure that we spend quality time with quality people.
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A spiritual person tries less to be godly than to be deeply human.
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Trying to be true to everyone doesn’t mean that you are good; It is complete stupidity
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Joseph Conrad and Heart of Darkness loom huge in my development as a writer. I think I'm always trying to write Heart of Darkness - trying to explode an abstraction in concrete terms, although I am aware that Conrad's story has a bit of baggage that I'd rather avoid in my work.
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If you're trying to stay productive, stop and think, 'Are my meetings actually productive, or are we merely having meetings for meetings' sake?'
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'The Blacklist' was really right place, right time. I read the script and met with Jon Bokenkamp, John Eisendrath, John Fox and John Davis, and we just hit it off. They understood that I was not so much trying to adapt to television, but adapt a cinematic style to the things that we were gonna do.
