Imaginary Quotes
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I've been trying to fit everything in, trying to get to the end before it's too late, but I see now how badly I've deceived myself. Words do not allow such things. The closer you come to the end, the more there is to say. The end is only imaginary, a destination you invent to keep yourself going, but a point comes when you realize you will never get there. You might have to stop, but that is only because you have run out of time. You stop, but that does not mean you have come to an end.
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I climb upon the highest mountains, laughing at all tragedies - whether real or imaginary.
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The defensive power of a pinned piece is only imaginary.
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The Lord of the Rings is of course a fundamentally religious and Catholic work; unconsciously so at first, but consciously in the revision. That is why I have not put in, or have cut out, practically all references to anything like 'religion', to cults or practices, in the imaginary world. For the religious element is absorbed into the story and the symbolism.
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When you compare the sorrows of real life to the pleasures of the imaginary one, you will never want to live again, only to dream forever.
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Everything has a sort of double meaning for me, there's the ordinary everyday meaning of things, and the imaginary meaning about it all, and I wanted to bring these things together, and in this first big Resurrection of mine you have a good example of this sort of thing.
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It is the fate of most men who mingle with the world, and attain even the prime of life, to make many real friends, and lose them in the course of nature. It is the fate of all authors or chroniclers to create imaginary friends, and lose them in the course of art. Nor is this the full extent of their misfortunes; for they are required to furnish an account of them besides.
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Neither the true nor the false roots are always real; sometimes they are imaginary; that is, while we can always imagine as many roots for each equation as I have assigned, yet there is not always a definite quantity corresponding to each root we have imagined.
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Middle-earth is our world. I have (of course) placed the action in a purely imaginary (though not wholly impossible) period of antiquity, in which the shape of the continental masses was different.
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I don't believe that just because one person is born on one side of some imaginary line and another person is born on the other side means that a lot of people should be getting screwed through no fault of their own.
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It's a great comfort to some people to groan over their imaginary ills.
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All a writer's characters are imaginary, no matter whether they are based on real people or not. They are people as one imagines them to be.
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I like how time goes on set. It's almost like time on an airplane or something where people are together. It's a different, very trippy kind of time, I find, because you're together in imaginary time where you're out of time. You're called upon to be present and honor what can happen in the moment. And the whole day can go like that. The whole day can be a kind of meditation.
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The body is imaginary, and we bow to the tyranny of a phantom. Love is a privilege perception, the most total and lucid not only of the unreality of the world but of our own unreality: not only do we traverse a realm of shadows; but ourselves are shadows.
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Fiction has consisted either of placing imaginary characters in a true story, which is the Iliad, or of presenting the story of an individual as having a general historical value, which is the Odyssey.
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Do not be content with an imaginary god.
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An interlude of false innocence has passed. Today, as we enter the post-photographic era, we must face once again the ineradicable fragility of our ontological distinctions between the imaginary and the real, and the tragic elusiveness of the Cartesian dream. We have indeed learnt to fix the shadows, but not to secure their meanings or to stabilize their truth values; they still flicker on the walls of Plato's cave.
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In any case, the fear of subservience is quite imaginary.
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When you see a struggle that you may be having personally put on a big screen and in a roomful of people, then it makes you feel less crazy or alone, because you're seeing that other people are dealing with it too. You get to see in this imaginary scenario how people might try and answer some questions or deal with some problems.
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A true friend never asks you to feed their imaginary fish. Or fertilize their imaginary crops.
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Imaginary evils soon become real ones by indulging our reflections on them; as he who in a melancholy fancy sees something like a face on the wall or the wainscot can, by two or three touches with a lead pencil, make it look visible, and agreeing with what he fancied.
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While we allow the inhabitants of imaginary remote corners the authenticity of savages or sufferers, we rarely suppose them to possess the authenticity of complex, sophisticated perceptions.
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Novels set in imaginary futures are necessarily about the moment in which they are written.
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Those who do not have imaginary conversations do not love.
