Color Quotes
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I'm passionately involved in life: I love its change, its color, its movement. To be alive, to be able to see, to walk, to have houses, music, paintings - it's all a miracle.
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My purpose is, indeed, a horse of that color.
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In my family, only my brother has a similar skin color. But in Senegal, the color is common.
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I'm a natural blonde, but my hair has been almost every color you can imagine. As an actor, I like to get into my character as much as I can, and often that starts with the color of my hair.
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I like black, because for me it is a very happy color.
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Race prejudice has nothing to do with color. It has to do with being the stranger.
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The only thing I can say is consistent in all my paintings is vivid color.
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Women are being more experimental with eye color.
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Color is just in a small area of our vision, and the rest we add with the mind.
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To me, the good thing about living in L.A. is diversity in lifestyle choices, color, and religion.
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I want all of the work that I do to have a social justice footprint attached. I want it to move the needle forward when it comes to the perception of all people, but especially people of color.
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Writing music is like tasting the sky. It keeps me dreaming in color.
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I have been flooded with color on the inside, drab on the outside.
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My understanding – of course, I’m not a philosopher or a scientist – of an aspect of Goethe’s theory of color is that he felt that color came out of tension between light and dark. I think that is very appropriate when you think about the kind of color that I shoot.
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It is necessary that the prince should know how to color his nature well, and how to be a hypocrite and dissembler. For men are so simple, and yield so much to immediate necessity, that the deceiver will never lack dupes.
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You cannot do everything you want with the 3D camera, it's too big, and the digital quality of those cameras is a little bit limiting. With film, you have a lot more subtly, like with highlights and color. In terms of sharpness they (both formats) are very close; but in terms of nuance, of color and contrast, film is far superior.
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When you first commence painting everything is a muddle. Even the commonest colors seem to have the devil in them.
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I've realized I've become a bit reactive to each film I do. After 'The Road,' I was desperate to do something that had color and warmth to it and a stronger sense of community.
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The script is the coloring book that you're given, and your job is to figure out how to color it in. And also when and where to color outside the lines.
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Michael Derrick Hudson is not the first person to slip into the identity of a person of color to give himself some perceived advantage. He can slip back into his life and not walk around in this world as a person of color who endures racism.
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Because of the success of 'Hamilton' and 'On Your Feet!' you can't hide behind the old argument of, 'It needs to be bankable, so we can't put all these people of color in the show.' We are bankable.
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The main way I start to allocate color is that it comes from the comics. That's where it all starts from.
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Some people associate red with love, but to me, red is for an earlier stage of a relationship. Black is much deeper, to me. It's certainly the sexiest color.
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Achievement has no color.
