Figures Quotes
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There are two kinds of directors: There's the kind where two plus two equals four, and you have to help them figure it out. And then there's the kind that throws you in a room, locks the door, sets the house on fire and films it.
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Your work isn't just to learn and say the lines. Your work is to figure out what the chatter in your brain is, that's going on under the lines. It doesn't matter whether you're speaking or not speaking because your mind is working the way your character's mind would work.
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Their [the U.S.’s] defense budget in absolute figures is almost 25 times bigger than Russia’s. This is what in defense is referred to as ‘their home — their fortress.’ And good for them, I say. Well done!
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Challenges, when you're in a tumultuous situation, are an opportunity to grow, an opportunity to get closer to God, an opportunity to find and kind of reform yourself, and to figure out what really matters and what your priorities are.
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Fall in love with some activity, and do it! Nobody ever figures out what life is all about, and it doesn't matter.
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I don't buy this premise that the number of minifigures needs to be an equal amount to be gender neutral. Nobody makes artistic products like that; nobody makes a movie and says there has to be equal numbers of men and women.
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Michael Owen will get double figures this season - or at least 10, possibly more.
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I assure you that there's a lot involved in compositions with figures. ... It's like weaving... you must control and keep an eye on several things at once.
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Parker: When can you start? Rainie: I can start tomorrow if you'd like. My schedule is pretty much open. All I have to keep me at home is Thomas. Parker: Ah. It figures that there'd be a man in the picture. You're too lovely to be unattached. Rainie: Thomas is a cat.
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You must let go of your past and embrace your future and figure out what path you're going to go down
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When you consider the many ways in which people have to make a living every day when they wake up, I figure that eating 20 eggs isn't that bad.
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The problem with taking offense is that it's really hard to figure out what to do with it after you're done using it. Better to just leave it on the table and walk away. Umbrage untaken quietly disappears.
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I once painted a concert singer and on the chestnut frame I carved the opening bars of Mendelssohn's Rest in the Lord. It was ornamental unobtrusive and to musicians I think it emphasized the expression of the face and pose of the figure.
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My biggest job really is to figure other people out. I need to understand what makes a person tick.
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We made an amazing video about Newtown's struggle to figure out what to do with all the letters and art sent to the town.
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Players have responsibilities, because, whether they like it or not, they are public figures. They have to be aware that the people who come to the ground spend fortunes in relation to what they earn.
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There are many Americans who regardless of the intelligence or the profound political persuasion of a figure will never vote for a black man. Not all of them are racists; some are skeptical, and some are suspicious.
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Of course performing talent, that's clear. Maybe this is not so well-known among young people who are interested in music, who are talented in music, but they're trying to figure out how to go about it.
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What disturbs or assures us about race has very little to do with blood or biology. Race is about how you use language, understand your heritage, interpret your history, identify with your kin, figure out what your meaning and worth to a society that places values on you beyond your control. And it's also about what people see you as - or take you to be.
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We're an amazingly adaptive and resilient species. Once we put our mind to global warming, I have no doubt we'll figure a way through here that won't lead to utter calamity.
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Four is a powerful figure in literature and physical form
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When I moved to New York, I feel like a lot of things widened within my perspective and as I spend some time here - as everyone does when they're that age or a young person - [you] figure out your own ideals or figure out the way you fit into society a little bit more than you did before.
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When I left the theatre and turned to writing, one of the big pulls was that, unlike the theatre, I didn't have to wait to be hired before I could do my art. That was huge. But you still have to figure out how to support your habit; it's rare and lucky when art pays the bills.
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You have to figure out as a band how a band becomes a business, and then you have to keep that business mentality separate from the creative one, which is good for the songs. It's always a work in progress.
