Picture Quotes
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Needless, heedless, wanton and deliberate injury of the sort inflicted by Life's picture story is not an essential instrument of responsible journalism.
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I am trying to intensify my feeling for the organic rhythm in all things, trying to establish a pantheistic contact with the tremor and flow of blood in nature, in animals, in the air – trying to make it all into a picture, with new movements and with colours that reduce our old easel paintings to absurdity.
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I read, studied, and learned everything I could find about aviation. It was my greatest desire to become a pilot. I could already picture myself in the cockpit of an airliner or in a military fighter plane. I felt deep in my heart this was my thing!
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At one moment, I thought that if I didn't do a picture in a certain way, then it wasn't a 'Mario Testino Picture.' And I've realized that Mario Testino is everything, Mario Testino is whatever he feels like being, because it always ends up looking like me, whatever I do.
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Acting is a talent, but I like to see the whole picture.
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The thing that I love about acting is the fact that I can help people feel things, know themselves or feel less alone. It's my form of expression, in the same way that someone might paint a picture or sing a song in that you're hoping that it moves somebody outside of their own way of thinking.
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Everybody does that now. We all take pics… you do the same with holiday photos. You record something to look back on it, even though you’re not really there when you’re taking the picture ‘cause you’re too busy recording it; so you retrospectively go to look back on where you weren’t and tell yourself you had a good time.
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My mom was the picture of the blue-collar mom: Two and three and four jobs to make sure that me and my sister never needed, that was her thing.
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I could develop a picture by the time I was 12.
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I traveled to Morocco once, and I only saw one television when I was there, but I did go into this dirt cave and I saw this kid chopping tomatoes and pita, and he had a picture on the wall of Jean-Claude Van Damme holding a gun. That connected with him on the other side of the world, so no wonder these big movies are made - they have a mass appeal.
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Being a photographer is like listening to music. If you have a camera, by just living your life you're bound to find some things that are worth taking a picture of. You don't have to be an audiophile to have taste in music. It happens through osmosis.
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You'll go insane if you try to have a picture-book house.
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That’s my idea of what a portrait ought to be, anonymous and documentary and a straightforward picture of mankind.
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I will say without reservations that from my point of view there can be no abstractions. Any shape or area that has not the pulsating concreteness of real flesh and bones, its vulnerability to pleasure or pain is nothing at all. Any picture that does not provide the environment in which the breath of life can be drawn does not interest me.
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Maurice Sendak is the daddy of them all when it comes to picture books - the words, the rhythm, the psychology, the design.
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I can't just wear whatever when I go out because somebody might want to take a picture. People are, like, taking pictures of me in my car when I'm driving. It's crazy. I kind of hate it sometimes.
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I go eat a sandwich for lunch and have a milk shake and miss going to the gym for 10 days, and somebody snaps a picture of me on the beach, and all of a sudden, I've lost it. Why do I need to be perfect all the time?
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It's not fair that our name can be used in any newspaper, any article connected with anything, and we can't really fight about it. It's like any newspaper that might take a picture of you, bad or good, and sometimes they're awful pictures, and they can use them without your approval and you can't do anything about it.
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She [Carolyn Maloney] knows the financial issues, that's why we thought she was perfect because we're in a - we're in, as you know, a financial crisis, an economic crisis, and I know that she'll see the whole picture.
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I tend to gravitate toward reporters who cover all aspects of the story: from personal aspects to the big picture that answer the 'so what' of a story.
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Of course a picture can lie, but only if you are not honest with yourself.
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Just going out and seeing friends, not being cooped up in my house because I don't want to get my picture taken or anything like that - I've tried to let go of that stuff a bit, accept that it's going to happen to me, and not let it prevent me from doing anything I want to do, which I have in the past.
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Citizen Kane is perhaps the one American talking picture that seems as fresh now as the day it opened. It may seem even fresher.
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Whatever I'm thinking about has got to fit into thirty-two pages, the standard picture book size. So that's something. But the structure and the form for me are almost the most important, because these will express as much as words and images will the content of the work.
