Picture Quotes
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Every relationship between persons causes a picture of each to take form in the mind of the other, and this picture evidently is in reciprocal relationship with that personal relationship.
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Sometimes the picture that emerges of the man seems no longer to agree with our conception of the musician. In reality, however, there is a glorious unity.
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When students scoff at the idea of a magical relation between a picture and what it represents, ask them to take a photograph of their mother and cut out the eyes.
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I don't ever want to be famous. I never want to live that life. I genuinely hate the fact that I would be stopped for a picture or an autograph all the time.
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Every good picture leaves the painter eager to start again, unsatisfied, inspired by the rich mine in which he is working, hoping for more energy, more vitality, more time - condemned to painting for life.
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I left 'L.A. Law' after five years when my contract was up because I felt I had done all I could do with the character. I didn't walk off the show with a three-picture deal to pursue this wonderful film career.
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I think they're bogus, honestly. How utter garbage like Crash and Million Dollar Baby can win best picture, where true works of art such as Garden State go untouched is beyond me. It just proves how close-minded America really is, and I refuse to take part in it.
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Membership in the closed society of the motion-picture industry is almost never revoked for moral failings.
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Several tons of dynamite are set off in this picture - none of it under the right people.
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I just did a picture book called The Wildest Brother on Earth, and you will find both of my children in there.
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Consequently, it's so gratifying to then make a picture that's successful and gives you leverage to have better circumstances than you've ever had, before the next time out.
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If you listen to one of my albums, you can tell I do a lot of different things. In the case of 'Vincent', I thought of his picture 'Starry Night.' It was a beautiful road-map for a song. I used a lot of imagery from that painting.
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You never see yourself as that interesting. You're like, 'Really? Me? You want a picture with me? I'm boring!' But if I saw somebody like Simon Pegg or Johnny Depp, or one of my heroes, I'd get totally starstruck and want to go ask them for a picture.
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Sometimes people who want to understand Haiti from a political perspective may be missing part of the picture. They also need to look at Haiti from a psychological perspective.
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What you look for in a picture is a metaphor, something that means something more, that makes you think about things you've seen or thought about.
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Usually, a number of events will be going on around me to start me on a book. What I mean is, I will have read a poem or seen a picture that is lingering in my mind.
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Sometimes people can write really great scenes and even a great episode, but they can't see the bigger picture.
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You go down some street - no doubt it's there, and we have to do something about it, and our programmes are designed to do that - but if that's a picture of Newcastle, it's not the one I recognise and I bet none in the North East do either.
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It was just a wonderful experience, one for the memory book for sure. The sad thing about it was that the picture came under this absurd cloud of controversy. Here was a movie based on the central theme that racism is something that is taught, and it's illustrated by this story of a dog and the efforts of humans to re-train it after it had been trained to go after black people. And it created this ridiculous controversy and wound up being the last Hollywood movie that Sam [Fuller] made.
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Few people in contemporary art demonstrate much curiosity. The majority spend their days blathering on, rather than trying to work out why one artist is more interesting than another, or why one picture works and another doesn't.
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But it’s not so hard, learning to picture yourself as part of a great chain. One that began long before you, and will go on long after.
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We knew from the beginning the level of commitment needed. We felt honored to work with Stanley Kubrick. We were going to do what it took to do this picture, whatever time, because I felt - and Nicole Kidman did, too - that this was going to be a really special time for us. We knew it would be difficult. But I would have absolutely kicked myself if I hadn`t done this.
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One always talks of surrendering to nature. There is also such a thing as surrendering to the picture.
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I had to find a way in each picture to change the drawing, shaping and tactile qualities to make these elements expressive; as the color had subsumed the possibility the possibility of these parts being on a equal basis of expressiveness.
