Picture Quotes
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Sometimes people who want to understand Haiti from a political perspective may be missing part of the picture. They also need to look at Haiti from a psychological perspective.
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What you look for in a picture is a metaphor, something that means something more, that makes you think about things you've seen or thought about.
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My deal was that they would use a full-length picture of me in my underwear and a full-length picture of me all done up, and they would write about how long it took and how much it cost, because that was the whole point. It was very liberating.
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My travels have always been of the same kind. No matter where I've gone or why I've gone there it ends up that I never see anything. Becoming a movie star is living on a merry-go-round. When you travel you take the merry-go-round with you. You don't see natives or new scenery. You see chiefly the same press agents, the same sort of interviewers, and the same picture layouts of yourself.
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After getting recognized in public from my picture on our pretzel bag, I can understand not wanting to be in the public eye. It has given me a public persona I had always avoided as a child. I do it because it's for a good cause.
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My bad head cannot adjust itself to the way things are.... If I want to depict spring, it has to be in wintertime; if I want to describe a beautiful landscape, I must be enclosed within walls; and I have said a hundred times that if I were put in the Bastille, there I would paint a picture of liberty.
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I keep three framed photographs on my desk: the latest school picture of my daughter; a photo of my wife getting her diploma from the University of Chicago; and Lytton Strachey, looking serenely self-possessed.
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Dali likes me taking his picture because he is interested in pictures that do not simply reproduce reality. Even in photos he prefers to appear outside reality .That is surrealistic!
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You go down some street - no doubt it's there, and we have to do something about it, and our programmes are designed to do that - but if that's a picture of Newcastle, it's not the one I recognise and I bet none in the North East do either.
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The postman wants an autograph. The cab driver wants a picture. The waitress wants a handshake. Everyone wants a piece of you.
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I am only satisfied insofar as I feel 'Broadway Boogie Woogie' is a definite progress, but even about this picture I am not quite satisfied. There is still too much of the old in it.
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I remember when I was in school, they would ask, 'What are you going to be when you grow up?' and then you'd have to draw a picture of it. I drew a picture of myself as a bride.
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No, I don’t wish I knew Heaven was like the picture in my Great Divorce, because, if we knew that, we should know it was no better. The good things even of this world are far too good ever to be reached by imagination. Even the common orange, you know: no one could have imagined it before he tasted it. How much less Heaven.
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I sculpted for four or five years. Mostly for my own amusement, I decided to do a picture book, and that was kind of a turning point.
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My favorite thing to do is just sit outside on the stoop and talk with all my neighbors. I can go out with curlers in my hair, and nobody blinks twice. It's just sad when people want to take a picture!
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Most of us, when imagining an All-American, wouldn't picture a man who looked like me. Not even I would.
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I had a picture-perfect childhood.
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When I started making films, all the theaters, the screen would slide open the widest possible point, and that would be widescreen. But now, theaters are geared up for around 16:9, so scope is now 'letterboxed.' In a way, if you want the big picture, you shoot 16:9.
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Some photographers work on the same image for hours and hours and then use the first picture that they took.
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Each time I undertake to paint a picture I have a sensation of leaping into space. I never know whether I shall fall on my feet. It is only later that I begin to estimate more exactly the the effect of my work.
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If I go out in the street and one guy gets a picture, then someone calls the press to say Mario was there. The day after in the press, it's, 'Mario was there'. That's normal, I just walk in town like a normal guy.
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She couldn’t picture anyone falling madly in love with such a person as Fish. What a name, Fish...Fish: think cold, slippery, detached. Benedict: think dry scholarly monk from the Dark Ages. Denniston: think English preparatory school, stolid country squire. Nothing about his name sounded the least bit romantic.
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Key Largo... I could have stayed on that picture for the rest of my life. I adored it.
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I can't remember a picture that has expressed black attitudes and personal relationships as vividly as we've done in 'Cadence.'
