Architecture Quotes
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The events of human life, whether public or private, are so intimately linked to architecture that most observers can reconstruct nations or individuals in all the truth of their habits from the remains of their monuments or from their domestic relics.
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To me, architecture is an art, naturally, and it isn't architecture unless it's alive. Alive is what art is. If it's not alive, it's dead, and it's not art.
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Today's developer is a poor substitute for the committed entrepreneur of the last century for whom the work of architecture represented a chance to celebrate the worth of his enterprise.
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I would have liked maybe to be in architecture or painting, something connected to the fine arts.
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The building is absolutely stunning. It is a magnificent and important piece of architecture that contributes greatly to the cultural landscape of Washington. It is one the best designed buildings in D.C. in the last decade.
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My dad, he's definitely one of greatest writers of his generation. There is no question about it. When you are that good, when work is that good, you have to appreciate every aspect of it. It's the architecture of it, it's like looking at a Frank Lloyd Wright building or a Lautner building, it's master craftsmanship. Every aspect of it intertwines in a perfectly harmonious way. That's what architecture is at its best and the architecture of my father's music is on that level.
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Architecture is the reaching out for the truth.
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There's a very important aspect to all my work, now more than ever, which is tying the interior design and architecture with the art.
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Architecture must concern itself continually with the socially beneficial distortion of the environment.
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It is not an individual act, architecture. You have to consider your client. Only out of that can you produce great architecture. You cannot work in the abstract
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The free placement of the means of expression is a privilege enjoyed exclusively by painting different opinion with Theo van Doesburg . The sister arts, sculpture and architecture, are more restricted in this respect. The other arts enjoy even less scope in their employment of the means of expression.
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I viewed the station as a place, a terrain where I could put a new architecture in place. The station was, of course, an historic monument, but it does not deserve all the respect given it when it is said it is perfect, original and coherent expression of a past that we must revere. Orsay is basically a box.
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With vocal and choral music, first and foremost, it's the text. Not only do I need to serve the text, but the text - when I'm doing it right - acts as the perfect 'blueprint', and all the architecture is there. The poet has done the heavy lifting, so my job is to find the soul of the poem and then somehow translate that into music.
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Our lives are complex; our emotions are complex; our intellectual desires are complex. I believe that architecture … needs to mirror that complexity in every single space that we have, in every intimacy that we possess.
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It was nice to finish up Stanford. I think I always felt that I would be there for four years and graduate, and definitely didn't want to leave early. A degree was definitely a plus, and I was having a lot of fun in school. But after football, you know, I don't know. I really did enjoy studying architecture; it was a blast.
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As the OLPC laptop was getting ready to go into mass production in 2007, many executives approached me wanting the screen that I invented, and the laptop architecture that I co-invented, for their new laptops, cell phones, and other devices.
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The problem of architecture has always been the same throughout time. Its authentic quality is reached through its proportions, and the proportions cost nothing. In fact, most of them are proportions among things, not the things themselves. Art is almost always a question of proportions.
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There are but two truths in the world - the Bible and Greek architecture.
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I am obsessed with architecture. It is true, I am restless, trying to find myself as an architect, and how best to contribute in this world filled with contradiction, disparity, and inequality, even passion and opportunity.
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I believe that architecture, as anything else in life, is evolutionary. Ideas evolve; they don't come from outer space and crash into the drawing board.
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The original Heart logo was made back in the real early '70s by Mike Fisher, who I used to be in a relationship with. He was first our manager and then our soundman. When I met him, he was in design school for architecture, so he was always drawing.
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A man walks down the street. It's a street in a strange world. Maybe it's the third world. Maybe it's his first time around. He doesn't speak the language. He holds no currency. He is a foreign man. He is surrounded by the sound, sound of cattle in the marketplace, scatterlings and orphanages. He looks around, around he sees angels in the architecture spinning in infinity and he says, "Amen" and "Hallelujah!
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...the Office's prime approach to architecture... is one of continuous ANTICIPATORY DESIGN.
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The thing about architecture is that it's an art [you] simply learn more by doing more. It's one of those things that is really not an art about thinking, but doing. So in a way, what it has done is greatly intensify the way that I build.
