Writers Quotes
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While my stories are experimental, they're also very traditional. I love the works of the great Russian writers like Pavel Chekhov and Lev Tolstoy, and their ability to portray our human struggles and joys.
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Thinking of Poe, thinking of Mark Twain and Vachel Lindsay, thinking of Jack London and Tom Wolfe, one begins to feel there is almost no way of becoming a creative writer in America without being a loser.
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Good writers are of necessity rare.
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We should not allow ourselves to believe that writers like Poe have more imagination than those who are content with describing things as they really are. It is surely easier to invent striking situations in this way than to tread the beaten track which intelligent minds have followed throughout the centuries.
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Crime writers adore islands. We love the sense of being trapped within a community apart, where normal codes of behavior, if not ignored, can be allowed to slip.
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Writers are great lovers. They fall in love with other writers. That's how they learn to write. They take on a writer, read everything by him or her, read it over again until they understand how the writer moves, pauses, and sees. That's what being a lover is: stepping out of yourself, stepping into someone else's skin.
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That's all we writers have, anyway; our minds and imaginations. To allow censors even the tiniest space in there with us can only lead to dullness, imitation, and mediocrity.
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What you newspaper and magazine writers, who work in rabbit time, don't understand is that the practice of architecture has to be measured in elephant time.
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A good writer is not someone who knows how to write- but how to rewrite
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One likes to think one grows as a writer as one ages, else all you get is an old young writer. Beyond that is the changing landscape of the universe and the stories I choose to tell.
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Scotland consistently produces world-class writers.
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All good writers speak in honest voices and tell the truth.
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For the uninitiated, “ectoplasm” is a ghostly kind of stuff that writers like Dennett are constantly accusing critics of materialism of believing in. It plays the same sort of straw-man role in his writings on the mind that Paley does in Dawkins’s writings on religion.
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You could name the great stars of the silent screen who were finished; the great directors gone; the great title writers who were washed up. But remember this, as long as you live: the producers didn't lose a man. They all made the switch. That's where the great talent is.
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We're writers. What do we do? We tell stories. We make up stories. We create art.
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Age certainly hadn't conferred any smarts on me. Character maybe, but mediocrity is a constant, as one Russian writer put it. Russian writers have a way with aphorisms. They probably spend all winter thinking them up.
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All writers steal. You might as well steal from the best.
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I was a boarding school product from the age of eight, and I hated it. Though I do have a theory that boarding school is good training for writers because it's so desperately lacking in privacy: you make space for yourself by having an interior life.
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The writers and producers always have an idea, then they cast the role and the instrument starts to tell them how to play the music.
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I love new writing, new blood, modern works by unknown writers.
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The reason there are no great poets and writers now is because there are no great deeds or heroes to write about. The world is becoming tame and sad and dreary.
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All writers are liars. They twist events to suit themselves. They make use of their own tragedies to make a better story... They are terrible people.
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Writers spend all their time preoccupied with just the things that their fellow men and women spend their time trying to avoid thinking about. ... It takes great courage to look where you have to look, which is in yourself, in your experience, in your relationship with fellow beings, your relationship to the earth, to the spirit or to the first cause—to look at them and make something of them.
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Many writers today are wanderers. There is not only an unhousedness in language - how to convey, to say nothing of converge - but an unhousedness of place.
