Cinema Quotes
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Any story that gets us thinking, and particularly young people, thinking why? Whether it's as a result of reading the book, or coming out of the theatre or the cinema, I think we should just simply be asking the question 'why'? Why did it happen to those people? Was it necessary? And anything that gets us thinking like that is really important.
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It's difficult to find new solicitations, new expressions. But this is talking about filmmaking. Cinema.
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I think cinema is good for incarnating the parts of the mind that you cannot explain.”
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The cinema is going to form the mind of England. The national conscience, the national ideals and tests of conduct, will be those of the film.
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Cinema can transform pain and trauma into something beautiful.
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American capitalism finds its sharpest and most expressive reflection in the American cinema.
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How heartening it is to know that Ken Loach is still out there making committed, polemical cinema, so long as you don't have to watch it. Never go near a Ken Loach film unless you're trying to sleep with a socialist. If you are, however, Land And Freedom should do the trick.
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I don't necessarily believe in the ideology of cinema verité. I think by the very fact that you have a camera there you are affecting the story and you are influencing it.
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I do feel like my music, in some weird way, is probably better suited for cinema than for anything else - I can't really explain, other than I think that music has been mostly inspired often by soundtracks.
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I took my time to learn the craft and procedure. I wanted to do some substantial work first in cinema.
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A cinephile is someone who expects too much of cinema.
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What I'm really trying to do is recreate classic Hollywood cinema and classic genre cinema from a woman's point of view. Because most cinema is really made for men, how can you create cinema that's for women without having it be relegated to a ghetto of "chick flick" or something like that?
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Latinos, Asians, African-Americans, women - we're all trying to find our place in this world of cinema and television and theater. And the great thing with comedy is that most of the time, you could be orange. It doesn't matter, as long you're funny.
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On Being John Malkovich and the cinema of the absurd, I do enjoy it. I wish there were more like it. The very fact that there can't be more like it is one of the reasons it's admirable.
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At that time, when I started, in the '50s, cinema was very classical in its aims.
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Hollwood creates useful entertainment. There are millions of people on earth who need distraction and American cinema fulfills that function.
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There's nothing better than having a collaborator that you have a great shorthand with and a great comfort with who's shepherding the project along. I mean, that's the best thing that can happen in cinema where there's many cooks in the kitchen.
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Cinema has no boundaries...we all belong to the same artistic community.
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Film is something that reaches so many people. How many people are going to go into a gallery? And understand what they're seeing? I think about the guy walking down the street, the guy who drove me here - this guy has the opportunity to go the cinema.
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Even in the realest American cinema that I see, there's still not that sense that this is reality. There's still that sense that you are watching a movie. And hopefully, if we did get our jobs right, that sense disappears when you watch this movie.
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The world of the cinema and of painting are very different; precisely, the possibilities of photography and the cinema reside in that unlimited fantasy which is born of things themselves... a piece of sugar can become on the screen larger than an infinite perspective of gigantic buildings.
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American cinema is international like the fairy tales were international.
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For example, in painting the form arises from abstract elements of line and color, while in cinema the material concreteness of the image within the frame presents - as an element - the greatest difficulty in manipulation.
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Of all the arts, for us the cinema is the most important.
