People Quotes
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I don't hate journalists. You can't hate a class of people. It's wrong to say that. But I do think they're a bit like poison. Never trust them. You can't trust them as a class of people. It's their job not to be trusted.
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Like many other people of my generation, I don't think I ever really bothered to grow up. I wasn't ever really a proper teenager until I was about 19, and maybe I got a bit stuck there, because it seemed to go on and on.
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I am curious about many things, and find the world around me, and the people and objects and things in it, equally fascinating. There is a great deal of that awe and wonder in me.
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I just don't feel comfortable anymore with the kind of attention that I'm getting. It's purely the numbers of people that want a bit of the Cure or want a bit of me.
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Through Khadi we teach the people the art of civil obedience to an institution which they have built up for themselves.
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Some people have loved ones they will not forsake, even though they are a pain in the neck.
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I learned that victims come in all image - some raped, some witnessing an act of violence, some losing loved ones. I learned that the solutions come by both listening to the people impacted by the crisis and by learning from historical experiences in other places.
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I'm really addicted to water. I carry a bottle of water everywhere I go. I know people think I'm a nut.
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No amount of humanitarian assistance can protect people from being attacked.
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I love movies where you can tell who's directed it even before the credits roll in, like Wes Anderson or Quentin Tarantino. People who make very stylized types of film.
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Younger people obviously are more likely to openly express their political affiliations in terms of gear.
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I first came to Brazil in the Sixties. Then I started coming back every year since touring most of the country. I grew to love it, the people, the music. I thought this is where I belong. I've been living in Brazil for the past 23 years. I call it my stress-free country.
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I have loved hosting over the years, simply because I love working with people. It's the perfect job.
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I know we loved each other, but distance can do strange things to people and before I was willing to tell you about it, I wanted to be certain that it would last.
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I don't think people talk to me because I'm such a good, charming, good-looking guy. I don't - whether that's true or not. I think they do it because I work for a major news organization, and they think that it can probably be helpful to them and their business interests or their personal interest and what have you.
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Glamour doesn’t just happen, people don’t wake up in the morning glamorous.
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I figured if I could get really good people who were going to be able to have a big impact in the world over the next decade to come together once a year for ten years and actually sign a pledge to take action themselves, if we did that every year for ten years we could do a lot of good in the world. That's the difference between my meeting and any other. If you don't want to promise to do something, don't come to my meeting, stay home.
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It is my wish and the wishes of my people to live peaceably and quietly with you.
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You might have been able to fool people the first time, or something, but you really can't make a successful sequel today unless people really, really liked the predecessor.
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We hired extremely slowly at the beginning. It took us a year to get to four people. It's hard to hire as a very small company, and we wanted to make sure we found people who cared a lot about what Stripe was doing.
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But when I see a story on welfare on television, they only show black people.
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I didn't always value the ways black people talked. I thought, in order to make art out of it, you had to change it.
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I think it's really clear that Sony lost track of what customers and what developers wanted. I'd say, even at this late date, they should just cancel it and do a do over. Just say, 'This was a horrible disaster and we're sorry and we're going to stop selling this and stop trying to convince people to develop for it'.
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People think that what I see diving must drive what I put into films, but that isn't really the case. When I am making a Hollywood production, I am telling a different kind of story. Of course, if I see something interesting that works, we will look at it, but they are different things.
