Paris Quotes
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I didn't begin my life in 1975 with 'Horses.' I recorded 'Horses' in 1975, but was drawing in Paris in 1969.
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Yet with these April sunsets, that somehow recall My buried life, and Paris in the spring, I feel immeasurably at peace, and find the world To be wonderful and youthful afterall
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It may be no surprise that Pittsburgh has direct flights to London, Paris and Frankfurt, but consider this: many of the tourists here have come from Europe to the capital of culture in the Alleghenies.
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I was friends with Susan Sontag the last four years of her life. She had this amazing charisma and so much energy, but she had a sad little funeral in Montparnasse in Paris. It was rainy. It was all wrong. And I was thinking, 'God, she loved life so much.'
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In Paris now, when I walk into stores and the shopgirls literally say to me every time, "We don't have anything in your size".
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I always read everything on the desks of people I went to see in Moscow, London, Paris I found it quite useful.
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The sights you can find here in Paris are second to none.
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I don't feel famous and I didn't want my autobiography to be like a Paris Hilton story.
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Once we played for the Princess of Monaco in Paris. We were the biggest ducks ever, wearing rented tuxedos. We trashed the party, took a bunch of girls and champagne in limos underneath the Eiffel Tower, and set up an acoustic show. It was like a Hilary Duff movie.
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Paris, like every pretty woman, is subject to inexplicable whims of beauty and ugliness.
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Paris presents one incessant round of amusement & dissipation but very little, I believe - even for its inhabitants of that society - which interests the heart. Every day, you may see something new, magnificent & beautiful; every night, you may see a spectacle which astonishes & enchants the imagination.
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I've always been of the idea that is doesn't really matter where you are geographically - with 'Lonerism,' we made half the album in Australia, half the album in Paris.
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I think it is immensely difficult to get the U.S. interested in non-U.S. topics. I don't think this is because the average American reader is disinterested, but more because of publishers playing it safe: if a thriller based in L.A. is a sure winner, why spend money plugging one based in Paris - or Bangkok?
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Paris will give bicyclists more rights when it installs 4,300 signs throughout the city, allowing them to barrel though red lights and turn right on red.
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It is always a pleasure to see what NYC, London, Paris and Milan have to offer.
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Being an actor in L.A. is like being in prison: you go, you serve your time, you try to replicate Johnny Depp's career - and then you move to Paris.
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In Paris one is too preoccupied by what one sees and what one hears, however strong one is; what I am doing here has, I think, the merit of not resembling anyone, because it is simply the expression of what I myself have experienced.
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I did grow up in France, and even though I didn't go to the school or dance with the Paris Opera Ballet, I absorbed similar ideas in my training. I understand the scale of a big company. I danced for one for almost 20 years.
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You can leave Paris, but when you come back, you discover it again.
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Believe me, I've done my time travelling the world in cramped conditions and carrying my own luggage. Now my leisure is summers in the south of France or the Hamptons, walking in Connemara, and year-round shopping in Manhattan and Paris.
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The boarding-school experience in Paris was very hard, I didn't put up with it very well. I was sick all the time, or in any case frail, on the edge of a nervous breakdown.
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When Kuwait was attacked by Saddam Hussein, all the wealthy Kuwaitis ran to Paris. They didn’t just rent suites-they took up whole buildings, entire hotels. They lived like kings while their country was occupied. Who did they turn to for help? Who else? Uncle Sucker. That’s us.
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When you do a lyric for 'April in Paris,' those who have heard it before can hear it in a different way now. It can add perspective to a great piece of music that does not have a lyric and may be inaccessible to lot of ears because people don't deal with complex music very well.
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Shortly after my Ph.D., Alfred Kastler urged me to accept a teaching position at the University of Paris. I followed his advice and started to teach at the undergraduate level.
