Paris Quotes
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Believe me, I've done my time travelling the world in cramped conditions and carrying my own luggage. Now my leisure is summers in the south of France or the Hamptons, walking in Connemara, and year-round shopping in Manhattan and Paris.
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Look at the Paris Commune. That was the Dictatorship of the Proletariat.
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This to me is the secret comedy of all author interviews, down through the ages, even the good ones in the 'Paris Review' and places. They're all acting. It's like watching a person in a play.
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Paris presents one incessant round of amusement & dissipation but very little, I believe - even for its inhabitants of that society - which interests the heart. Every day, you may see something new, magnificent & beautiful; every night, you may see a spectacle which astonishes & enchants the imagination.
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An artist has no home in Europe except in Paris.
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Paris is one of the fashion capitals of the world and such an incredible breeding ground for designers. You can't help but find it an inspiring place.
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I love Karl Lagerfeld. I worship him. I was brought up in Paris, and my mum used to wear a lot of Chanel. I love the brand.
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Paris flared -- Paris, which the divine sun had sown with light, and where in glory waved the great future harvest of Truth and of Justice.
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Now you can leave home at any time you like.Your mother comes down and finds a picture of the Eiffel Tower on her plate. And she says, 'Oh! Rosemary's gone to Paris. No wonder the bathroom was so tidy.' And nobody minds. But in my day, to go abroad with all those wicked Frenchmen, what would become of them? So no-one ever went anywhere.
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In the winter of 1973, the American POWs held captive in Vietnam were released according to the terms of the Paris Peace Accords.
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Paris, like every pretty woman, is subject to inexplicable whims of beauty and ugliness.
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I did 'Impromptu,' which was a thrill and a horror all at once - my first movie and having to do it in Paris, and my wife wrote it, and I had some difficulties on the set, blah, blah, blah.
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I'd love to open a private museum in Paris, London, or New York, but I don't have the money. If I were Bill Gates or Paul Allen, the first thing I would do is build a museum.
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I love Paris for the million reasons that everybody loves the city. It's an incredibly romantic and beautiful place.
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London has always been open to trade, people, ideas. We have to keep that. I want to compete not just with New York, Paris, Berlin... the ten fastest growing cities in the world are in China. How do we compete with them? We have to attract investment and we have to compete on skills.
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I was friends with Susan Sontag the last four years of her life. She had this amazing charisma and so much energy, but she had a sad little funeral in Montparnasse in Paris. It was rainy. It was all wrong. And I was thinking, 'God, she loved life so much.'
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I fell in love with New York. I moved here 25 years ago in 1984 after I lived in Paris for six years. In the 1980s, it was the place to be. Here I was able to create NARS, which I would not have been able to create if I stayed in France.
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One of my favourite scents in the world is the 'Brown' candle from Hotel Costes in Paris. It smells like naughty nights in corners of clubs.
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I thought of Paris as a beauty spot on the face of the earth, and of London as a big freckle.
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Now is the time to divest and invest to let our world leaders know that we, as individuals and institutions, are taking action to address climate change, and we expect them to do their part this December in Paris at the U.N. climate talks.
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When the sommelier Enrico Bernardo moved to Paris from Italy nearly two decades ago, the world of French gastronomy brutally rejected him. No matter that he had won the competition for best sommelier in Italy; when he asked 30 restaurateurs for work in their wine cellars, all turned him down.
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For me, playing music while I write is important. Several of the romantic scenes in 'Paris' were written with Debussy's 'String Quartet,' his 'L'Apres-midi d'une Faune,' or Canteloube's 'Songs of the Auvergne' playing in the background.
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Maybe I'll be 48 and die in the gutter in Paris.
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I grew up as a fifth-generation Jew in the American South, at the confluence of two great storytelling traditions. After graduating from Yale in the 1980s, I moved to Japan. For young adventure seekers like myself, the white-hot Japanese miracle held a similar appeal as Russia in 1920s or Paris in the 1950s.
