Paris Quotes
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Paris, Texas gave me a chance to play compassion, and I'm spelling that with a capital C.
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Like many other tourists, I'm afraid I fell in love with Paris at first sight.
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The best Paris I know now is in my head.
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I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil.
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I've been singing properly every day since I was about fifteen or sixteen, and I have never had any problems with my voice, ever. I've had a sore throat here and there, had a cold and sung through it, but that day it just went while I was onstage in Paris during a radio show. It was literally like someone had pulled a curtain over it.
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As a proud spokesperson for L'Oreal Paris, I have communicated the 'Because You're Worth It' message many times, and know firsthand how empowering it is to say and how empowering it feels.
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One of the things I say is, 'You want to know what it's like to be a baby? It's like being in love for the first time in Paris after four double espressos.' And boy, you are alive and conscious.
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You know you've become a brat when you have a room you like at the Bristol in Paris.
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I mean, I did ride the Paris subway in an attempt to get pick-pocketed in order to see how exactly they did it. My buddy was videoing the whole thing. No one picked my pocket. We got bolder and bolder as we went, but it didn’t pan out for us.
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The good news is that the Paris Agreement is not just a bilateral agreement between the United States and some other country. You have 200 countries who came together. It's an international agreement.
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One of the first things I created was music for the Paris opera's ballet troupe. That was the first time that electronic music was played at the opera. I really like the relationship between the music and the choreography.
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This is a magic place. It's one of my favorite buildings in Paris.
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I used to play in rock bands. Then I went to the first school of electronic music in the world. It was in Paris headed by one of the most important people involved in electronic music.
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Having nothing to do, I am correcting the Paris edition of Bach; not only the engraver's mistakes, but also the mistakes hallowed by those who are supposed to understand Bach. I have no pretensions to understand better, but I do think that sometimes I can guess.
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I thought of Paris as a beauty spot on the face of the earth, and of London as a big freckle.
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I don't know if it's a failure of imagination on my part, but I'm not going to be writing about Paris in the 1800s. I feel like it would come off as just ludicrously uninformed, even if I did a lot of research.
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I seemed to belong to three countries: I had an apartment in Paris, a house in Hollywood, and when I married British theater director Peter Hall, I moved to London.
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For me, the sketching of dresses was about fantasy and dreams. In my little room at home, I felt that I was somewhere else. In Paris, for instance.
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If you can live in Paris, maybe you should.
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I really don't know whether any place contains more pianists than Paris, or whether you can find more asses and virtuosos anywhere.
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Americans are immensely popular in Paris; and this is not due solely to the fact that they spend lots of money there, for they spend just as much or more in London, and in the latter city they are merely tolerated because they do spend.
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I am finished with cities. I spent four years in New York, ten in Paris, and I was in Belgrade for a while. To me now they are just airports.
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Paris is just special. I don't say that there are no other cities in America or Italy. But everybody wants to show in Paris.
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We cannot all afford a farm in Cuba or a suite at the George V in newly liberated Paris, and more often than not must strive to forge our clean, well-lighted sentences at a folding table wedged between the baby's cot and the dining table.
