Paris Quotes
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In Paris in 1964 was the first time I ever heard Dylan at all. Paul got the record (The Freewheelin' Bob Dylan) from a French DJ. For three weeks in Paris we didn't stop playing it. We all went potty about Dylan.
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When the Paris terror attacks happen, when war breaks out in Ukraine, when unrest happens in Ferguson, people know that CNN is the place to come.
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Americans are immensely popular in Paris; and this is not due solely to the fact that they spend lots of money there, for they spend just as much or more in London, and in the latter city they are merely tolerated because they do spend.
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When we came back to Paris it was clear and cold and lovely.
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You know you've become a brat when you have a room you like at the Bristol in Paris.
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I don't know if it's a failure of imagination on my part, but I'm not going to be writing about Paris in the 1800s. I feel like it would come off as just ludicrously uninformed, even if I did a lot of research.
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The first red carpet I did was at New York's Paris Theatre... It was this beautiful night, and everyone is screaming my name. I'm the least pretentious actress you can ever meet. Someone said to me that I look like I've been doing this forever, and I said that's because I watch E!
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ISIS is a virulent, nasty organization that has gained a foothold in ungoverned spaces effectively in Syria and parts of western Iraq. We have to take it seriously. They've shown in Paris what they can do in an organized fashion.
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Good Americans, when they die, go to Paris.
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The good news is that the Paris Agreement is not just a bilateral agreement between the United States and some other country. You have 200 countries who came together. It's an international agreement.
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Down there it's still Summer, I suppose, whereas our sun in Switzerland is already gilding the mountains and the larches are turning yellow, but the colours are wonderful, like old, dark red satin. Down here in the valley the huts stand out in the strongest Paris blue against the yellow fields. Here one really learns the values of the individual colours for the first time. And the harsh, monumental lines of the mountains.
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I did quite enjoy the days when one went for a beer at one's local in Paris and woke up in Corsica.
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I was on the cover of French 'Grazia,' which was amazing. It was all over Paris!
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The whole time I was modeling, I had a place in Paris, and a place in New York, and I was really single.
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Having nothing to do, I am correcting the Paris edition of Bach; not only the engraver's mistakes, but also the mistakes hallowed by those who are supposed to understand Bach. I have no pretensions to understand better, but I do think that sometimes I can guess.
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I have pictures of my grandmother from the 1920s and '30s in avant-garde dresses that looked like they could have come from the House of Worth or Lucien Lelong. She would never say if they were couture, but I do recall her telling me, 'All my clothes and shoes came from Paris.'
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The Light Company were not worried by the French. If Richard Sharpe wanted to lead them to Paris they would go, blindly confident that he would see them through
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I came to Paris with four écus in my pocket, and I’d have fought with anybody who told me I was in no condition to buy the Louvre.
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Coming to Paris has been a wonderful experience, surprising in many respects, one of them being to find how much of an American I am.
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Outside of Paris, there is no hope for the cultured.
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If I had the choice to travel to two places in Europe, it would be Paris and London.
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I moved to Paris around 1995 or 1996; my first collection on the runway was in 1997.
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My mum used to work for the Chanel store in Paris, so for me, I've always been very familiar with the brand because of her. I remember when I was very, very, little, our flat had Chanel shoe boxes, makeup, and some jackets.
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I used to play in rock bands. Then I went to the first school of electronic music in the world. It was in Paris headed by one of the most important people involved in electronic music.
