Emotional Quotes
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If you have a movie that doesn't strive to go to a certain emotional point, you can do anything and it will be fine and funny. But if you have something pretty emotional at its core, you have to make it right. You don't want it overwrought or unearned. Everything has to be moving towards this one thing.
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I come from a working-class family. They're the people I know and the people I love, I guess. I do not write about them for political reasons, but because, as I see it, most interesting things - social, political, emotional - take place there. It's a bottomless well for an author like me.
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You can't do anything to be funny. That's cringeworthy. If your humor comes out of a place of love every time, you don't make the joke bigger than you. The funniest comedians are in touch with their emotional level.
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You know how there's always the one girl in drama school who can cry at the drop of a hat? She has that emotional well she can tap into in a second? I'm not that girl. It takes a lot to get me to that place.
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I tend not to be so attracted to films that force me into an intellectual place over an emotional one.
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I'm a sensitive guy. If you are a woman and you're in any kind of emotional duress and you write a song about it, I'll buy you album.
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I am very fussy; I am very detailed; I nag a lot. So in a sense, I am like Mr. Ping. I am temperamental, I am emotional, I'm fussy, and I'm very exact. And I want people to not fail; I want them to execute - all those things Mr. Ping wants in other people. Or animals.
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It's hard to generalize about that subject because the women I've worked with have all been so different. But if there's one consistency, it might be that you do have to handle yourself differently on a set. Women can be more emotional - at least they sometimes show it more.
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I think there's a lot of people going through different things where you feel like your whole world's imploded, and you feel like you lost it all, whether it's physical, emotional, whatever you're going through. If I can be that beacon of hope for people that need it the most through dancing and through our storytelling, then I've done my job.
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I really like women who get emotional about babies and puppies. I've met some incredibly cool women who are tough, but the woman you marry should have a really soft side.
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I've had emotional experiences in VR that I haven't been able to have in two-dimensional experiences.
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If our principles are only our principles when it is convenient for us, when they align with our visceral emotional responses, then they are, in fact, not principles at all.
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'Monsters,' everybody has the thought of monsters in your closet as a kid, and more importantly, the idea of becoming a parent. We're always kind of looking for those emotional nuggets. They're always at the heart of the story.
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When you hold resentment toward another, you are bound to that person or condition by an emotional link that is stronger than steel. Forgiveness is the only way to dissolve that link and get free.
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Certainly, network television in general relies a little bit too much on keeping people focused and emotional and scared and pushing the envelope by building wall-to-wall music.
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All my life, to this day, the memory of my childhood remains grim and incoherent. If I close my eyes and think back, I see little except violence and fear. In those early years, I somehow came to understand I would have to draw from within myself whatever emotional resources I needed to go wherever I was headed. As a result, for years, I became a boy who lived almost totally within himself.
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I think audiences sometimes mistakenly assume a quality performance comes from some great emotional disturbance rather than really intense concentration. Concentration and flow is what it's all about.
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Is it me? Is it like I have a beacon that only dogs and men with severe emotional problems can hear?
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Fashion is very much emotional. When you see it, or when you wear the right clothing, or you wear whatever, it's supposed to make you feel something. You're supposed to feel some type of emotion, and I feel like I try to do that when I'm on a red carpet.
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You don't go into the National Gallery of any famous capital city and cry, sob, laugh, fall about on the floor, become very angry - it's a completely different reaction. It's a reaction which is to do with a much more composed sense of regarding an image; it's a reaction with a thought process as opposed to an immediate emotional reaction.
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I never want to listen to the songs in front of people close to me. There's an emotional honesty in that place where it's not earnest but it's vulnerable.
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I outline in some detail, but even after the outline is done I often get a new idea that is an improvement, so the outline is a living, breathing thing as well. I also re-outline when I'm two-thirds done, to be sure that there is an emotional payoff from all the plot lines and to be sure the story is as tight as it can be.
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This will sound funny coming out of my mouth, but I like to play characters that have an intelligence. It doesn't matter if it's a physical intelligence or emotional intelligence.
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Dance is the product of the necessity for pure emotional expression.
