Emotional Quotes
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Certainly I was a very religious child, a deeply weird and very emotional child, an only child with lots of imaginary friends and a very active imagination. I loved Sunday school and Bible camp and all that. I had my own white Bible with Jesus' words printed in red in the text; I even spoke at youth revivals.
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The point is that I am such a big fan of Puccini and that Butterfly is the most difficult and complete role that you can imagine. Just to sing it with a good voice is not enough: it asks tears from your soul. I am very emotional on stage, and the music is so tender that I suffer for real when I am singing it. So I cannot do many performances.
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You can take the boy out of England, but you can't take England out of the boy. And ummm, yes, I feel a huge emotional attachment to England.
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I was nine. I saw Orson Welles in 'Julius Caesar.' It was involving, emotional, imaginative. I've never forgotten it.
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Adele's look is meticulously thought through and completely of her own traits. She has such a powerful beauty, such an emotional voice, and the kohl, the hair, everything feels organically molded to her personality.
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I'm very drawn to the human condition and the emotional aspects of stories. It's what's not on the page that I get excited about.
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Attachment parenting demands not just certain actions you take with your baby but also certain emotional states to accompany those actions.
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When I go to a gig and I hear a song that I really like, a song that hits home to me or hits an emotional nerve, if I could ever recreate that for someone, that would be the ultimate goal.
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In many respects a teenage girl's home is more important to her than at any time since she was a small child. She also needs emotional support and protection from the most corrosive cultural forces that seek to exploit her when she is least able to resist.
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I understand what it is to go through emotional trauma and retreat and go into the world of your imagination. I understand how art and music can be a place of safety in a world of reinvention.
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I can't speak for readers in general, but personally I like to read stories behind which there is some truth, something real and above all, something emotional. I don't like to read essays on literature; I don't like to read critical or rational or impersonal or cold disquisitions on subjects.
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Film is such a very good tool for communicating emotions, and all designers and creative people look to inspire an emotional response.
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The emotional stuff is the biggest challenge, for me to access that. As life passes, you encounter difficulties and tragedies, and so it becomes easier. 'Carnivale' required that of me, and it was really hard.
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I sing against emotional dictatorships, and against the imposition of one person over another, in the name of love.
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As an emotional eater, I eat to soothe.
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I love the idea of using film language similarly to how musicians use music - combining images and sounds in a way that they create an emotional effect.
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I'm an emotional person.
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Sex is the one thing you cannot really swindle; and it is the centre of the worst swindling of all, emotional swindling.... Sex lashes out against counterfeit emotion, and is ruthless, devastating against false love.
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Emotional Amoral Egoism indicates that ethnic conflict should be understood in terms of a reaction to a failure to satisfy a group’s basic physiological, security and ego needs due to discrimination, experienced by a group whose relations are premised, above all, on cultural affinities.
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I've had it with you and your emotional constipation!
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I love my stories being multi-layered, and coming at it from different angles, so that you don't understand the film's true emotional motivation until the very end.
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The key is a good story. If you have a good story, you have enough emotional beats that you can hit.
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Making music is an emotional thing. And when you're on a video shoot with 50 people there, you have to somehow, in a non-emotional way, say what you want and not feel guilty for it. And that takes growing up and that takes... not caring how people perceive you as much. And it just takes experience, I think.
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When I started playing, there were no teams and no structure, so I had to play with the boys. I get very emotional when I think about the humiliation that I've suffered playing football.
