Kenneth Oppel Quotes
The more I worked on 'Half Brother,' the more it seemed to me the story was really about love in all its possible forms - how and why we decide to bestow it, or withdraw it; how we decide what is more worthy of being loved, and what is less. We are masters of conditional love.
Quotes to Explore
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It is the nature of all greatness not to be exact.
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I am a massive fan of early electronica like Steve Reich, Pat Metheny and Thomas Dolby. I used to be a big raver, too, so anything dance. I love ambient music like Tunng. I love acoustic and classical, too.
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I am practically in the employ of Mr. Nobel. I have to meet everyone he sends my way.
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Allowing homosexuality means allowing satanic rights.
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Well-run libraries are filled with people because what a good library offers cannot be easily found elsewhere: an indoor public space in which you do not have to buy anything in order to stay.
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Nature also forges man, now a gold man, now a silver man, now a fig man, now a bean man.
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Every time a blast happens, people ask, 'But why would someone do this?' Weirdly, it hasn't been answered well anywhere - neither in fiction nor non-fiction.
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My first album was completed in three months.
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I wrote my novel 'Bitter Greens' as the creative component of a Doctorate of Creative Arts and am now looking at the history of the Rapunzel tale as my theoretical component.
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Those most moved to tears by every word of a preacher are generally weak and a rascal when the feelings evaporate.
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A good leader must be fair.
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The important thing is to be there, score when needed. It's better if the goals are beautiful, better still if they are important.
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Pakistan is alarmed by the rising Indian influence in Afghanistan, and fears that an Afghanistan cleansed of the Taliban would be an Indian client state, thus sandwiching Pakistan between two hostile countries. The paranoia of Pakistan about India's supposed dark machinations should never be underestimated.
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I write a book a year while creating TV and film projects. And being a writer isn't just writing: I have to chase down paychecks and manage foreign tax payments. I maintain a vibrant relationship with readers and bloggers. And when it comes to Hollywood, I typically have to have fifteen business meetings in the hopes that one leads to a project.
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I have a very pragmatic approach to diets. Ones you can't stick to don't do you any good. Some people say, 'Just eat half of what's on your plate,' but I can't do that!
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Nothing reinforces a professional relationship more than enjoying success with someone.
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If 'Deadwood' had gone on another two years, I wouldn't have got as many movies made.
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I sometimes get that wonderful sympathy between me and the audience, telling me I've reached their hearts. And when I do, the thrill is mine.
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When I was younger, my dad was making a music video for a band in Montreal. I was goofing around and being a ham. An agent was there and she was telling me, 'Hey, do you think you'd want to go out on auditions?' I was like, 'Yeah, what's an audition? Sure, I'll do it.'
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I don't stick to special techniques, conscious techniques.
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If you can find a frock you look nice in and can run up three flights of stairs, you're not fat.
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I don't believe in updating. If a play works, it draws something from being true to its time.
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The ACA is an ugly patch on an ugly system - and I don't think it's worth mentioning in the context of price or quality transparency.
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The more I worked on 'Half Brother,' the more it seemed to me the story was really about love in all its possible forms - how and why we decide to bestow it, or withdraw it; how we decide what is more worthy of being loved, and what is less. We are masters of conditional love.
