Christina Hendricks Quotes
It is so exciting to get a phone call saying you're going to be working on a Disney film.
Quotes to Explore
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One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular.
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When I was 16, I filmed an episode of 'Full House' where my family goes to Disney World. I remember putting on baggy overalls just to hide my stomach. When I watched it, I was pretty disappointed and bummed out looking at myself... I didn't feel good about my own body.
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I was influenced when I was younger by the cartoon movies that Disney put out, like Cinderella and what not. I watched those movies over and over when I was younger and the music is ingrained into my head. Nowadays, I'm still humming the tunes. It taught me the fundamentals.
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The basic idea for what became 'Epic Mickey' began at the Disney Think Tank.
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I also love Disney, and will defend doing so, because there's so much in those films and I don't care if it's stereotyped.
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Rapunzel is a bit more relatable than the other princesses, especially because she doesn't even know that she's a princess until the very end of the movie. I like to think of her as the bohemian Disney princess. She's barefoot and living in a tower. She paints and reads... She's a Renaissance woman.
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For Christmas 1999, my husband surprised me with a trip to Disney World. Along with our boys, we were standing on the roof of the Contemporary Hotel at midnight on New Year's Eve 2000 watching fireworks explode over every amusement park in Orlando. It was a magical way to celebrate the millennial, and a never-to-be-forgotten Christmas present.
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Eliminating fighting would mean eliminating the jobs of the 'fighters,' meaning these guys would not have NHL careers.
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Disney's something to be a little alarmed about. It's not just a little theme park anymore. It's now an ethic and outlook and strategy that goes way beyond central Florida.
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I wanted to have more time to play and reflect, but I find retirement more stressful than having a nice, steady job because I have to make decisions about where I want to be.
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Just about every actor wants to be a Disney cartoon voice at some point.
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I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
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I've done a pretty good job of hitting 18-34-year-old males, and not such a good job of reaching kids. Disney has done a great job of reaching kids, but maybe not the 18-34-year-olds. I figure I can learn a lot from Disney, and maybe, I don't know, they can learn a lot from me.
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I always wanted to do a Disney movie.
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I think I do myself a disservice by comparing myself to Steve Jobs and Walt Disney and human beings that we've seen before. It should be more like Willy Wonka... and welcome to my chocolate factory.
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'Aladdin' was probably my favorite Disney animation when I was a kid. The animation was great and Robin Williams was unbelievable as the Genie. 'Aladdin' was an amazing adventure and the lead character was a hero for guys, which I loved. It wasn't a princess or a girl beating the odds; it was a street rat. That seemed really cool to me.
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Disney's House of the Future had the clean simplicity prized in the 1950s as relief from decades of frayed patchwork, jury-rigging, and make-do clutter caused by Depression and war.
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My grandfather was actually a union organizer at Walt Disney. He was an animator. He used to draw Donald Duck for Walt Disney.
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Fame is a funny thing. I like doing normal things. I like going to fairs. I like going to ball games. I like going to Disney World or a big field on the Fourth of July and having picnics with friends. The problem is you're either worried you're going to be recognized, or you're thankful you're not. It's always there.
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I couldn't have been happier with the relationship we had with Disney, it couldn't have been easier.
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We aim above the mark to hit the mark.
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My publishers are wonderful because they have let me write what I wanted to. They're wise enough to know that, with any author who's not simply writing formulas - who's trying to create something new - pressuring them to do something for market purposes almost always backfires. I can't imagine working under those circumstances, actually.
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I don't necessarily think that having more money helps make you make a better film. Sometimes having less money is better. You're forced into being more original; you're forced into hearing something versus seeing it.
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It is so exciting to get a phone call saying you're going to be working on a Disney film.
