Christine Baranski Quotes
I adore clothes, I adore drinking. I just don't have the time or the inclination to totally indulge in it.
Quotes to Explore
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Many of the songs on Undertow were written at the time Opiate came out.
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I think there is an enormous sea change happening in the global workforce. It has a lot to do with globalization. I think that people used to have a hope for a career or meaningful employment, and its been reduced to internships, part-time work or just grossly underpaid work.
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It's hard to say how certain stories just punch us in the heart and the brain at the same time at the end. I suppose that's what we're all looking for. But each story has its own valence, its own way of saying goodbye to you.
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The congressmen and senators used to go have a drink in D.C. They would disagree all day long, but they would find that time to sit down and learn about each other personally. I think that's totally wiped out; I don't think it really exists anymore.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
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My highest point was the first thing I won, a short story competition in a women's magazine in the Eighties. It was the first time I'd had my writing validated, and the first thing I'd ever shown anyone else.
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I felt like an outsider. The only time you get to really know guys is on the ice, and I couldn't be there.
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I like to follow my favorite team and talk sports with my band or fans. You won't believe how many musicians are sports fans. We have so much time on tour that we need these outlets for relaxation.
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Just like the Internet disrupted the publishing industry, we're going to see Bitcoin micropayments creating some very interesting opportunities for pay-as-you-go, pay-based-on-time online businesses and, frankly, some risks as well to the traditional business model as to how things get sold online.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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'Deacon Blues' was special for me. It's the only time I remember mixing a record all day and, when the mix was done, feeling like I wanted to hear it over and over again. It was the comprehensive sound of the thing: the song itself, its character, the way the instruments sounded, and the way Tom Scott's tight horn arrangement fit in.
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Every weekend, I'm on the highway to Antwerp. I need to be there, to have the calm. It's a whole different life: I jump on my bike, and it's so small, I can be anywhere in a minute. I like to be at home when there's free time because when you're at a big company, you're constantly surrounded by 30 people.
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The '70s were a time of turmoil and turnover. But I grew up here. I always wanted to play here.
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Everyone gets a raise when they do well. No one asked me what I got for my initial films. There was a time I got paid Rs. 6 lakh. I charge what producers are willing to pay me.
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There will come a time when the public will tire of me and let me know it. That's when I retire. But so far, I've continued to grow. I keep pushing myself to improve.
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It took me a long time to realize you don't choose what you're famous for.
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I love milk so much! I make a point of drinking a glass of milk every day. So now anyone who did those milk ads with the milk mustaches, they're my heroes.
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Success for me its to raise happy, healthy human beings.
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It's a very tricky relationship, the cinematographer and the director as a woman.
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I went to NYU Tisch for undergrad, and it was amazing. My life then was extremely experimental with acting. I did crazy theater where we would be rolling around on the floor. I would be playing grandmothers, and clowns, and all this crazy stuff. Then I would be doing Shakespeare eight hours a day.
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I had wanted to be a Calvin Klein model since I was 17. Marky Mark in his Calvin Kleins was the epitome of male sexuality. That was something I worked for.
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Now that I knew fear, I also knew it was not permanent. As powerful as it was, its grip on me would loosen. It would pass.
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I adore clothes, I adore drinking. I just don't have the time or the inclination to totally indulge in it.
