Orlando Bloom Quotes
Quotes to Explore
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The world at large doesn't always make sense to me, and there are safe havens. Linda Manz in 'Out of the Blue' is one of them.
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Until you've been to Cannes, it's hard to describe to someone the magnitude of that festival.
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I was very lucky when I started doing comedy because I hadn't seen much stand-up. I just got up on stage and did it without thinking.
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There's a restaurant I go to whenever I can called The Richmond Cafe. It's a little Thai restaurant owned by a group of Thai women - I think they're all a family, and they're just really, really nice, and they make amazing massaman curry.
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I went to school to study literature and writing, even though I didn't end up really doing that in the end. I thought I would be a teacher, but I didn't really think about it in any practical way.
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I think the key for any kind of artist - and this transcends music - is a certain degree of authenticity and sincerity.
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I'm crazy about jewelry; swimwear and jewelry.
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You come to work and you laugh all day, you go home and you feel light and there's a certain feeling when you're sitting with the audience and they leave after 90 minutes and it's just pure escapism and they're happy.
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My nose was part of my heritage, and if I had talent to sing and to act, why wasn't that enough?
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In the 20th century, the United States endured two world wars and other traumatic and expensive military conflicts; the Depression; a dozen or so recessions and financial panics; oil shocks; a flu epidemic; and the resignation of a disgraced president. Yet the Dow rose from 66 to 11,497.
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I'm a little bit perverse, and I just hate doing the thing that's the most obvious.
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I live in the present. When I finish a film, it is behind me. My reward is in my work, not in a lot of old memories.
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I think the new generation is much more demanding about respect for the environment than we have ever imagined.
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I do interviews because it's a chance to be myself. I sometimes wonder what I could have to say that would be of any interest. I don't have any great wisdom.
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It is possible that blondes also prefer gentlemen.
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NASA asked me to create meals for the space shuttle. Thai chicken was the favorite. I flew in a fake space shuttle, but I have no desire to go into space after seeing the toilet.
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I suppose I have played a lot of put-upon women, but it's never bothered me. They've never been weak – they've always got steel in them.
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Society is the body; individuals are its members, its limbs. Just as the various limbs help and co-operate with one another and thus are happy, so each must unite with others in being helpful to all in thought, speech and action... One may see to the good of one's own group, i.e., the group that is immediate to him, and then proceed to others.
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This is a different team today than I've seen in awhile. Hopefully, that'll carry over. . . . It's the way we should play. Coming down the stretch here, it's going to be a lot of emotion. Hopefully, it's on the good side for us.
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What I've discovered and really confirmed to myself is that opera really likes loud colours, and you need something bold, something savage, unpredictable, passionate. You can't really run a two-hour opera round some muted murmuring.
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I was always the freaky Asian girl who drew these weird-looking Barbie dolls in class.
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You think, 'Musicals, they must always be romantic' - You'd be surprised how few of them historically have ever been romantic.
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I wanted fame, but I thought it would be incremental, and I became afraid of the overnight-sensation thing.
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Obviously I always wanted to do a contemporary piece.
