Christine Lavin Quotes
Writing a song is like playing a series of downs in football: Lots of rules, timing is crucial, lots of boundaries, lots of protective gear, lots of stopping and starting.
Quotes to Explore
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The difference between a violin and a viola is that a viola burns longer.
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I've always made sequels, even when I was making Super 8 movies if the audience liked it.
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Some people ask, 'How do you attract the young and so many different people when your poetry is complicated and different?' I say, 'My accomplishment is that my readers trust me and accept my suggestions for change.'
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Let me just say as one who has been speaker of the House, I've had to have a very thick skin about every kind of thing that was thrown at me.
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In truth, opinion may be taken for understanding; understanding cannot be taken for opinion. How so? Surely because opinion may be deceived; understanding cannot be. If it could, it would not be understanding but opinion. For true understanding has not only certain truth, but the knowledge of truth.
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Perhaps I'm particularly serious, because I'm not unaware of the potential absurdity of what I'm doing.
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I think, from the very beginning, I always knew that I needed to get out of Malaysia and do my thing somewhere else.
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Family quarrels are bitter things. They don't go according to any rules. They're not like aches or wounds, they're more like splits in the skin that won't heal because there's not enough material.
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It was never about winning medals or being famous.
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If I can put it together, I've got an opportunity to win.
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I remember being a teenager and seeing Seymour Cassel across a crowded room and being incredibly star struck, and not having the courage to say, 'Hello.'
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It was a small provincial place with great people and I had a happy childhood growing up in Queens.
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How can we educators claim credit for understanding, let alone teaching, the 'global mind' without a single course on the impact of religion on every day life?
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I knew that I wanted to be an actor; how to go about it was the question. I went to Australia for my studies; from there I told my dad that I also want to do a course in performing arts, but my father refused. So I completed my studies and came back. But I kept poking him, saying that acting is something that I want to do.
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The whole of society is like a cabbage-stalk covered with caterpillars, and none is satisfied till it has crawled to the top.
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I wasn't a very good student in elementary school and had a hard time with reading and writing.
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I almost got a psychology degree, I almost got a philosophy degree. I kept changing it so they couldn't make me graduate. I studied anthropology and eastern religion, epistomology, and astronomy... I took every interesting course I could find for nine years.
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I don't need fame and I don't need power and I don't need wealth. I'm in need of friends, which I have found in abundance.
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I hate to say there are female and male ways of dealing with power, because I think each of us has a male and a female part. But based on my own experience, women will tend to be inclusive, to reach out more, to care a little more.
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I can't help but laugh at how perfect I am.
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My biggest superhero of writing is Jorge Luis Borges, the Argentine fabulist. He's an amazingly perceptive writer, but also willing to make a joke.
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I suppose most crime writing is urban. There's not a lot... certainly not in Australia, people don't often set books in the countryside.
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If I were a first rate writer, I wouldn't mind a bit. What does depress me is this: it is so desperately hard and so obsessive and so lonely to write that, in return for all this work, one would like a little self satisfaction. And that is never going to come, for the simple reason that I do not deserve it. I cannot be a good enough writer. You see? I call it grim. But the future looks awfully clear to me.
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Writing a song is like playing a series of downs in football: Lots of rules, timing is crucial, lots of boundaries, lots of protective gear, lots of stopping and starting.
