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When you go on book tour, you're always talking about yourself and your book from the time you get up in the morning until you go out at night. You, you. You get really sick of yourself.
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All of the trickster, rascal characters that I write have the voice I aspire to. In real life, you can't be that obnoxious and get away with it.
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The only thing that matters to me about my stories is that they're entertaining and they're funny. And I tend to get bored easily, so I generally throw something supernatural in. I would say they're humorous novels that have a supernatural bent, but that's as close as you're going to get to fitting them all in the same basket.
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As much as I encourage communication with my readers, I don't want reviews from them, simply because I don't need to be hamstrung in the middle of working on something.
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When I teach seminars, I tell people, 'Your stuff has to look like something that's out there, because otherwise nobody will take a chance on you.'
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The reason I'm writing funny books is that I wish there were more.
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When you're telling stories, you are actually trying to illuminate some portion of the truth in an artful way. The story may immediately seem to be a lie, but it's like an impressionistic painting - you see the light and the color better than you would with a photo-realistic piece.
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As Richard Pryor was to Eddie Murphy, that's what Kurt Vonnegut was to me.
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You can't teach someone to be funny, but you can teach comic timing. If you listen to a good comic, you can learn how to put it on a page.
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The reason I wrote 'You Suck' was that I so enjoyed spending time with Tommy and Jody.
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Everything in Venice is just a little bit creepy, as much as it's beautiful.
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I really don't think of my work in terms of a genre. I think of it in terms of what I want to say, what I think is cool, and what I'm good at.