Christopher Plummer Quotes
The part of Mike Wallace drew me to the movie because I thought, what an outrageous part to play.
Quotes to Explore
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Over the years I have learned that what is important in a dress is the woman who is wearing it.
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You can't be a first-world economy in the 21st century if you haven't laid the groundwork to seize the opportunities.
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I'm an enormous Tim Burton fan.
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I have this assemblage of small facts, which looks like intelligence but no real depth of knowledge about anything. That's why I'm an actor.
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I don't want to live in a nanny state where people are telling me where I can go and what I can do.
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And I'm a pretty positive person - I don't put a lot of energy into worrying, and I'm not a person who lives in a great deal of fear.
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I had the feeling that focusing on objects and telling a story through them would make my protagonists different from those in Western novels - more real, more quintessentially of Istanbul.
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'Islamism' itself is such a broad and nearly meaningless word as used by the mainstream Western press, including everything from Turkey's AKP party to al Qaeda.
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Sometimes, I sit down to sketch at the unearthly hour of 3 in the morning!
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They were afraid, never having learned what I taught myself: Defeat the fear of death and welcome the death of fear.
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If there's no fire, there's no scream. If there's no scream, then no one hears you and no one comes to help you in the first place. The depth of my struggle has definitely determined the height of my success. To be able to teach my kids not just about success but about the struggle that comes with it.
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It has been a motto of mine my whole life - just be yourself.
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My first priority is trying to protect my family.
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My commitment to the Republican movement was pure and simply patriotism, a love of Australia... a desire or passion that all of our national symbols should be unequivocally and unambiguously Australian.
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In the studio, there's no tiptoeing. As opposed to big, blow-out arguments, there are just lots of little solutions.
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The idol of today pushes the hero of yesterday out of our recollection; and will, in turn, be supplanted by his successor of tomorrow.
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I was a hacker of sorts. Not a mind 'reader,' exactly; more a mind 'radar,' in tune with the workings of the aether. I could sense the nuances of dreamscapes and rogue spirits. Things outside myself. Things the average voyant wouldn't feel.
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But when I wasn't working, I was usually at a window looking down at Earth.
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I was always very dramatic - my family would probably use the word 'dramatic' - as a child; always putting on performances, making everyone come watch, and pay to watch. I was very business-savvy as a child.
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My schedule is completely different doing a play than it is doing a movie, and I actually think it's a much harder schedule because you've got to do it eight times a week and you've got to do it good eight times a week and with different kinds of audiences who are cold or drunk or tired, whatever it is.
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Doing everything with one arm, being well-known, and having a book and a movie, it's fairly abnormal. As far as just not having to worry about past experiences, I've healed very well.
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Certainly in the movie business there are bullies all over - bullies in the distribution business, exhibition business, production. Fine-tuning adult bullying is different. When a bully is an adult, it's a whole different set of colors.
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I was never a critic. I was a journalist and wrote about filmmakers, but I didn't review movies per se. I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers. And I still am. I'm still a great movie fan, and I ,that love of movies is very much alive in me. I approach the movies I make as a movie-lover as much as a movie-maker.
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The part of Mike Wallace drew me to the movie because I thought, what an outrageous part to play.
