S. Jay Olshansky Quotes
The way that we are going after ageing, I think, is a problem. The modern medical model is basically designed to attack one disease at a time. Independent of all other diseases and independent of the basic process of ageing itself.
Quotes to Explore
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I don't know if foreigners will take to my novels or not. It may be that my books appeal only to a particular gender or age group rather than convey a more universal appeal.
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In the '80 Olympics... people expected me to win. I was good enough to win, and I made a mistake and ended up second, which is pretty good, too.
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When I sit down with my notebook, when I start scribbling words across the page, I find out what I'm feeling.
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I was raised to treat my body as a temple, but even as a little girl, I had a major issue with self-esteem. I thought there was something wrong with the temple.
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Vaudeville was characterized by sunny optimism, acts that were uplifting, cheerful, and clean. It provided a fanciful, magical escape, but after Black Friday, the tone of American entertainment changed almost overnight.
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Personally, it was a big honor for me meeting so many families of the fallen soldiers and hearing their stories.
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I don't think that I ever believed that poetry would be a career. I have always thought of poems as something more private than professional... I would never introduce myself as a poet. I will always have some other thing that I am.
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Some players are more physical than others, some play with more finesse. Some are just really great all-around players. So you have to change your game.
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When a writer declares that his first book is his best, that is bad. I progress successively from book to book.
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I always had to genuinely like the actors I worked with and use my enthusiasm and vision to give them confidence to push their creativity and their humor.
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When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
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It's nice to have my mother as someone I can talk to about acting. My dad's a director, so when he comes to watch me on set, he think it's his set. He's always telling a production assistant, 'Can you get me five donuts?'
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My mother helped me identify myself the way the world would identify me. Bloodlines didn't matter as much as how I would be perceived.
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I got lost one time for a couple hours. It was pretty bad. I got lost in a creek, and I couldn't find my way back. The cops even had to come.
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The physics of water is central to cooking, because food is mostly water. All steak that you cook is actually boiled on the inside.
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The glorification of sisters, mothers as the selfless Indian women who will do 'agni pariksha' and the one who sees her own betterment only in the betterment of their husbands and fathers, that has to stop. It's very regressive.
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We need to have women in more powerful positions that are making decisions, so when that 10-year-old girl is looking up and wondering, 'What can I do and what do I want to be when I get older?' She has the opportunity to do and be whatever she wants.
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People did not even then like to eat dirt, if they could see it.
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In real life, I don't think anybody is all one shade. People who are perceived to be really good have bad thoughts and inclinations that they sometimes act on, I'm sure, and people have different sides to themselves.
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All I can do is advocate changes at the BBC while respecting editorial independence upon which the success of the BBC rests. I can't do anything that requires the BBC to pay certain people certain amounts.
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As a writer you have a duty to be a messenger.
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The bottom line is that time travel is allowed by the laws of physics.
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I'm not someone who had to worry about aging on camera. I was already aged when I got there.
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The way that we are going after ageing, I think, is a problem. The modern medical model is basically designed to attack one disease at a time. Independent of all other diseases and independent of the basic process of ageing itself.
