Charles Krauthammer Quotes
I would write my editorials using a manual typewriter in pitch-black darkness... I would produce the whole thing without having seen the text.
Quotes to Explore
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I don't understand it. Jack will spend any amount of money to buy votes but he balks at investing a thousand dollars in a beautiful painting.
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I see no way out of the problems that organized religion and tribalism create other than humans just becoming more honest and fully aware of themselves.
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Imagination will often carry us to worlds that never were. But without it we go nowhere.
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For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.
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I don't think people really understood what I did. And you know, in my book, 'A Helluva High Note' deals with my back story, that I was a songwriter, that I spent years trying to hone my craft and being rejected and then finally becoming a successful songwriter, record executive and publisher.
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As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.
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He who improves an opportunity sows a seed which will yield fruit in opportunity for himself and others.
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What role should religion play in the American public school classroom? My own knee-jerk response would be, 'none whatsoever,' but the Constitution isn't quite so direct on the subject.
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Politics was my third act. But I could have a fourth. I don't know what that will be yet, but there will be one.
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And we can see the positive impacts right here at Solyndra. Less than a year ago, we were standing on what was an empty lot. But through the Recovery Act, this company received a loan to expand its operations. This new factory is the result of those loans.
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Having grown up in the Middle East, eating beans for breakfast always seemed like a bizarre British eccentricity.
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One may no more live in the world without picking up the moral prejudices of the world than one will be able to go to hell without perspiring.
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I think the name of the show, 'This American Life' - we named it that just because it seemed like it made the thing feel big. But we don't think about whether it's an American story or not. We happen to be Americans. I think for the stories to work, they have to be universal.
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Mostly, I just write about feelings that people can relate to. Because, yeah, I don't know who I am, and this is not my sound forever... I'm a human, so hopefully, I will always develop.
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Well, thank you and that's for them, but for me, I want to look back at a body of work where when you do the research and you explore the psyche of a character, where she's been, where she is and where she's going.
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My memories are inside me – they're not things or a place – I can take them anywhere.
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Upon this the Hungarian ministers resigned, but the names submitted by the president of the council, at the demand of the king, were not approved of for successors.
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I love the American dream. I feel this is the place I was supposed to be in. It's beautiful. I love it.
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No one ever comes up to me and says, 'Hey man, I loved your work in 'Road Trip.' They say, 'Are you that guy?' Like, they have no idea. 'Were you in 'American Pie 2?'
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I would like to thank the Hollywood Foreign Press Association for giving me this wonderful opportunity to serve as Miss Golden Globe 2012.
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The Honorable Elijah Muhammad says that we should be separate, all right, but in this separate state or separate existence, the black man should be given the opportunity and the incentive to do for himself what the white man has done for himself.
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It was an amazing childhood, despite what you might think about black struggle and poor neighbourhoods and the ghetto. My mother was an educated, budding linguist who really inspired us. Some of the leading indicators of success in the world have to do with how many books are in the house when you're a kid.
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I would suggest is that in the latter 1990s it is extremely important to look at the predicament of black people within the context of the globalization of capital.
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I would write my editorials using a manual typewriter in pitch-black darkness... I would produce the whole thing without having seen the text.
