Nelly (Cornell Iral Haynes Jr.) Quotes
I stand for the Midwest. That's why the album's titled 'M.O.,' 'cause I'm still holding it down like that. My friends and family all call me Mo, so it's kind of like really representing where I'm from and me at the same time.
Quotes to Explore
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'Shameless' was such a weird time in my life because I never really experienced any kind of role that put me that much in the spotlight before.
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Man can never be a woman's equal in the spirit of selfless service with which nature has endowed her.
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A lasting architecture has to have roots.
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If I'm gonna write songs about my exes, they can write songs about me. That's how it works.
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Many have said of Alchemy, that it is for the making of gold and silver. For me such is not the aim, but to consider only what virtue and power may lie in medicines.
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I grew up very self-loathing. I was a phobic. I had anxiety. I had panic attacks.
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In a strange way, I'm way more comfortable onstage than anywhere else.
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The reason why I moved from Young Thug to Jeffery was because I felt like I did a wrong turn.
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No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular.
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I don't think I've ever been chatted up, and I don't think I've ever chatted anyone up. The Fresh Prince has the best chat-up lines.
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Prayer is an act of love; words are not needed. Even if sickness distracts from thoughts, all that is needed is the will to love.
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Just making the crowd laugh is not really doing things for me anymore. That's just knowing how to kill; I've learned how to kill – but also learned when a crowd's laughter is meaningful.
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That's the thing with sci-fi and action roles. You have to play the danger as real. If you don't, you end up with egg on your face. You have to commit. You can't think about how stupid it might look without the special effects.
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We are today, in this country, convulsed by the situation in Iraq. It is an extraordinary crisis. It is taxing our men and women in uniform, and it is certainly taxing our resolve.
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Behind every easy role, there is a lot of hard work that goes in.
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I'm not interested in being Franchise Boy.
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I just get silly inside my head and I start to think about something and in my head I start twisting it around, contorting it and envisioning it in different ways.
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Let me think about the people who I care about the most, and how when they fail or disappoint me... I still love them, I still give them chances, and I still see the best in them. Let me extend that generosity to myself.
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I grew up around writers, and there was always a romance to them. They were charming. They would tell their stories of what they were working on, over the table.
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From the time that I was a child, I loved interacting with people. I would go around door-to-door and sell candies and gift-wrapping paper, and it was a great way to interact with people and communicate with people.
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I feel you see every crack and bruise with black and white [pictiures] and color distracts usually from the honesty.
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This is what youth must figure out: Girls, love, and living. The having, the not having, The spending and giving, And the meloncholy time of not knowing. This is what age must learn about: The ABC of dying. The going, yet not going, The loving and leaving, And the unbearable knowing and knowing
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What do you want most to do? That's what I have to keep asking myself, in the face of difficulties.
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I stand for the Midwest. That's why the album's titled 'M.O.,' 'cause I'm still holding it down like that. My friends and family all call me Mo, so it's kind of like really representing where I'm from and me at the same time.
