Jennifer Lopez Quotes
This is the man my mother lived for. My career means something now because I've worked with Robert Redford.
Quotes to Explore
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The world is always in movement.
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There is always pressure in football.
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Relinquishing apparent national sovereignty does not have to entail a loss of national sovereignty, but can actually be a benefit.
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I love to look back, but I don't want my music to be nostalgic. I want it to have the same vibrancy that the music I love had when it came out. I'm trying to get that electricity.
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You can de-select the songs that you don't want to have on the record, but I hope we always put something out that has a lot of songs that the majority of people will love.
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Books are up against TV and movies and video games and a multimedia society that is so busy that people don't have contemplative time any more. I worry deeply about this. In fact, I worry about everything all the time. I used to be a punk. All I wanted to do was tear everything down, and that was so much easier.
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If I do my very best, then the camera and the audience will follow me, and eventually they will somehow feel like I feel. I don't have to show it to them. I don't have to speak it out loud.
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My job isn't to preach to people, it's to entertain them. I like letting the characters speak for themselves.
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In human years I am 29. In actress years I'm the ripe, promising age of 18 to 35. That's how it works here in Hollyweird.
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Last year the National Sorry Day Committee consulted with stolen generations people in every State and Territory, and concluded that programmes set up in response to the Bringing Them Home Report are reaching only a small fraction of those they are intended to help.
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We only have a certain amount of energy for each day. If we use it for the wrong purpose, if we focus on the negative or dwell on whoever hurt us, then we're not going to have the energy we need for the right purposes.
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You do have to overcome the child's thinking that this new woman, who is not their mother, is going to be in their lives.
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It's a touchy subject, but as a Southerner, you can't ignore our history any more than a Renaissance painter can ignore the Virgin Mary. And it's impossible to drive down a road or eat a vegetable or pass a church without being reminded of slavery.
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It's the way you ride the trail that counts.
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I have a long-standing interest in what I like to think of as 'forbidden knowledge:' methods of unarmed killing, lock picking, breaking and entry, spy stuff, and other things that the government wants only a few select individuals to know.
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The reason why men do not obey us, is because they see the mud at the bottom of our eye.
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Trends don't interest me.
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It's still amazing, but when I was growing up, Harlem was the Mecca of black culture. I was so inspired by it, the aspirational feeling you'd get spending time there. Experiences that were really specific to that place.
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I am the conductor for life of the Staatskapelle in Berlin, which fills me with tremendous joy because I feel absolutely at one with them. When we play, I have a feeling that together we manage to create one collective lung for the whole orchestra so that everybody in the stage breathes the music in the same way.
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A certain fire pretends to be alive; it awakens. Working its way along the hand as a conductor, it reaches the support and engulfs it; then a leaping spark closes the circle it was to trace, coming back to the eye and beyond.
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Consistency is the hobgoblin of small minds.
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In my career, I've always felt like all great things came at once, and when something goes bad, it always seems that everything else seems to start going bad.
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I grew up in New York City, and both my parents worked. On weekends, we'd go out to the country, and on Sunday nights we'd come back. Sometimes we were a little cranky - it was a long drive. But we could always look forward to one thing: my mother's ziti and meat sauce.
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This is the man my mother lived for. My career means something now because I've worked with Robert Redford.
