Nate Ruess Quotes
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In a city like New York, any night can be completely different, even in a subtle way.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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If you look at a lot of the songs I've been involved in, there's always been this retro vibe. I started getting worried that I wasn't moving forward very much, nor was I even in tune with the music today. I almost scoffed at it.
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I worry that if I enjoy something - like the songs on 'Some Nights' are about wondering about who you are. I'm never quite sure and I'd hate to feel sort of content and get a good sense of who I am because if I know one thing, that's not me. I don't mind not necessarily being happy about it. And that's fine.
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I'm not going to lie. I check the iTunes charts. It's all about the iTunes charts. I only go on the Internet for the iTunes charts and basketball blogs.
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I was signed at 19 years old to a major label, and dropped by the time I was 22.
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I knew how touring was for 10 years, but it's completely different now that things are popping off.
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It's the coolest part about writing music. I don't know how other people work, but so much is derived from some amalgamation of all these different songs that I love. That's why they jump all over the place.
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The Queen and Electric Light Orchestra harmonies are so distinct and fit in our songs so well sometimes, but we don't know how to do them properly.
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I think legally we have to do 'fun' with a period. I think we agreed because apparently there was another band called 'fun.' We Google-searched, which now makes sense because we're so impossible to Google-search.
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Running in Central Park is my favorite thing to wake up and do. I have my own specific path that I have to run every single time. There's a little bit of OCD involved, but I love it.
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My parents had normal jobs, and I didn't just want to work all day, and so I thought if I could break into music I wouldn't have to work all day. And I had an uncle who was on Broadway, so I was like, 'I have to be able to sing.'
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I don't have a Twitter or a Facebook, but that doesn't mean I'm any more productive than the rest of the world.
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Well, the crazy thing for me is I think out of anything that's happened in the last year, all the success, people always ask what do you guys do with the money? I don't think they realize we're not really making any money.
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I think it's really cool, but Jimmy Eat World and Gin Blossoms did it better than anyone. People don't realize just how awesome the Arizona history is, especially for alternative music. Growing up, that's all I ever wanted to be was those two bands.
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Lately I've been falling asleep listening to 'Common One' by Van Morrison, specifically the song 'Summertime in England.' It's 15 minutes long, so to make it through the entire song is a real task unto itself, but Van has that emotional payoff that makes even his most tiresome songs more powerful than most people's entire catalog.
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I picked up 'The Hunger Games' thinking it was written at my regressed reading level. I've spent hours reading it, and I'm not even halfway through. Our bass player, whose name is also Nate, ended up reading all three novels and loved them.
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I think that I always thought that if my uncle was on Broadway, then I must inherently have a good voice. I don't think that for a while I did. Eventually, out of sheer will of never wanting to get a job or go to college, I found my way into doing music full-time.
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I idolised bands like Pearl Jam and Smashing Pumpkins, who wanted to reach as many people as they could.
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Van Morrison is probably, at this point in time, my biggest influence as a vocalist. When we were making our last album I had a vinyl copy of 'Veedon Fleece' in the vocal booth in front of me, in the dorky sense. I think there were candles around, which is really tacky, but hey, I needed to channel Van the Man!
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I don't want to be known for anything other than writing songs.
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We love a good, hyped sound, but when it starts to sound insincere, that's when I lose interest. I hope that our music, even if it sounds polished, doesn't sound insincere.
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We have this really retro vibe and style of songwriting and, personally, I wasn't embracing the current state of music until I fell in love with hip-hop. It felt good to suddenly embrace where music was headed, and I think hip-hop is the best at that, because it feels so progressive and everybody wants to be the best.
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I don't play an instrument - I just write in my head, and I usually hear fully formed songs. 'We Are Young' turned out so much like it was in my head. But it also exceeded all my expectations.