Katherine Heigl Quotes
Quotes to Explore
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Even as a kid, I read 'Jung – Reflections and Individuation In Fairy Tales'; all the inner circle of Jung was a real huge thing for me.
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I don't keep people around me that aren't family. You don't get to stay. Unless you're eating at the table with us, you're not part. We eat together, we cry together, we live together, we die together. Everything that we do is for each other, and we care for another.
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It was such a lovely day I thought it a pity to get up.
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There are times in my life when I just want to be by myself.
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I love writers. All of my best friends are writers.
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I have this kind of mild nice-guy exterior, but inside my heart is like a steel trap.
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To be well turned out, a woman should turn her thoughts in.
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In a marathon, if you run too fast, you get exhausted. If you run too slow, you never make it.
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I'm a little angry in life.
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Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
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I love the idea of using film language similarly to how musicians use music - combining images and sounds in a way that they create an emotional effect.
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Urban conservationists may feel entitled to be unconcerned about food production because they are not farmers. But they can't be let off so easily, for they are all farming by proxy.
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I knew that I wanted to be an actor; how to go about it was the question. I went to Australia for my studies; from there I told my dad that I also want to do a course in performing arts, but my father refused. So I completed my studies and came back. But I kept poking him, saying that acting is something that I want to do.
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I have always been a coward as a child. I am not very brave. I am very aware of the fact that I am not very gutsy.
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My experience is that's rare - that you have a script that is... what they call 'film-ready.'
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I don't talk about political matters. That's not my department.
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Never relinquish clothing to a hotel valet without first specifically telling him that you want it back.
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Human writing reflects that of the universe; it is its translation, but also its metaphor: it says something totally different, and it says the same thing.
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It's not just a revue where one song is done, then another. There are concepts and ideas at work.
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I'm pretty hardcore. I stick exactly to what I'm doing. So I write a novel in one period, and then I'll write stories in another period. I only work on one thing at once, because I'm afraid that I wouldn't finish what I'd started.
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Nevertheless, hateful as saying 'No' always is to an imaginative person, and certain as the offence may be that it will cause to individuals whose own work does not require isolated effort, the writer who is engaged on a book must learn to say it. He must say it consistently to all interrupters; to the numerous callers and correspondents who want him to speak, open bazaars, see them for 'only' ten minutes, attend literary parties, put people up, or read, correct and find publishers for semi-literate manuscripts by his personal friends.
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Both dreams and neurotic dream-states have as their function the avoidance of displeasure, but the dream-states also serve to provide a positive pleasure gain.
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I'm not interested in making horror-comedies, but I'm very interested in making scary movies with funny parts.
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If I wasn't in this industry, I wouldn't work out.
