Friedrich Nietzsche Quotes
Thus do I want man and woman to be: the one fit to wage war and the other fit to give birth, but both fit to dance with head and feet.
Quotes to Explore
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Whether I do an original film, a dance, or a remake of my dad's hit songs, I have always been compared to him.
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My first vocation was dance.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Adolescence is a new birth, for the higher and more completely human traits are now born.
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I moved to London to go to dance school when I was about 17, but then I realized that I didn't want to be a dancer anymore, so I dropped out after five or six weeks. All I wanted to do was sing and make music.
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Let your life lightly dance on the edges of Time like dew on the tip of a leaf.
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I am a member of the Kiowa Gourd Dance Society; I visit sacred places such as Devil's Tower and the Medicine Wheel. These places are important to me, because they've been made sacred by sacrifice, by the investment of blood and experience and story.
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People assume that because I'm a great athlete, I can dance. But no. My rhythm is off a little bit.
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The hype man's job is to get everybody out of their seats and on the dance floor to have a good time.
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I think that kids need to grow up watching what I grew up watching - great entertainment; you know, Judy Garland and all these musicals that bring song and dance and acting all together in a polished way.
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I just love to dance. Pretty much every night, I'll just turn on the radio in my room and dance like crazy.
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I just want to continue to pursue dancing. I want to focus on making it out there and showing everybody my heart and soul through dance... and do it until I can't walk anymore.
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When I was a senior, I got accepted into the Julliard School for Dance, but ultimately decided to move to L.A. to act, so that was a fun conversation with the parents. I truly have some of the greatest parents ever.
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It's funny because a lot of people that know me as a dancer, don't know that I'm a singer, and a lot of people that know I can sing don't know I can dance. And so, I feel like at some point I have to show them both and really be able to display it and showcase it, and put that out there.
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Hamp would ask me about tempos in the band: 'Jacquet,' he'd say, 'knock off that tempo.' A lot of jazz musicians didn't prefer to play for dancers, which was their loss, really. But good jazz has always had that dance feel.
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I used to say I didn't want to teach. I was still excited about dancing. It's hard to do both. It's as exhausting teaching as it is to dance.
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It's definitely important to have your mom and family there to back you up and cheering from the stands. You'd love them to come to every big dance and every big game, but sometimes that's not possible.
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I mean, if someone asked for my birth certificate, I'd get my baby book and hand it out and say 'Here it is.'
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I would much rather sit, dimmed by inattention, and study the atmosphere and the silence and dance between people, but often times I’m not offered this privilege. The necessity for isolation, and the striving for attention is the only contradiction I find in being a writer and an actress.
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I think if you can dance and be free and not embarrassed, you can rule the world.
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The principle is this: We must not allow anything into our life that feeds our point of weakness. A soldier doesn't dance through a mind field any more than we should play with a hand grenade. When the enemy's entry points are boarded up, it frees us to hear clearly the voice of our Commander.
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I stopped singing for a long time because it just wasn't something I was very passionate about.
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Thus do I want man and woman to be: the one fit to wage war and the other fit to give birth, but both fit to dance with head and feet.
