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I could probably name thousands of albums that I want.
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Singles, whatever. But selling a million albums feels like an impossible thing to do.
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When you constantly revisit things, it's hard to know if you're freezing in time or if you're a brilliant adult who's working through it. I think about that in therapy, talking about the same things over and over again.
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What sets 'Some Nights' apart from anything we've ever done is the hip-hop influence. Not so much the actual sound of hip-hop, but more the vibrato and the artistry that comes with it. Right now, the artists that seem to be pushing to be the greatest artists and are trying to change the world are hip-hop artists.
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The best pop music is the songs that a group of people can dance to, but you can also listen to in your bed and cry. That's something obviously that The Beatles started and... so having that darkness there opens another door.
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I have no problem being mainstream. I grew up in the '90s when the mainstream was amazing.
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Bleachers comes from a different place. It's personal. It's just me putting myself out there as myself. It's very intense.
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In this business, it's important to constantly do things that you don't know how to do. I love touring and making records, but I've learned how to do that, so sometimes you just have to dive in and try it.
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So many boys and girls talk the same way, listen to the same music, look the same. If I'm out, I'll notice the person who looks different before I notice the person who's, 'really hot.'
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I just work a lot. I just remember recording in a hotel room in Malaysia. I work on planes, I work on buses. A lot of times when I'm backstage in the hotel or on the bus, I would have new ideas.
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It just seems like the most fun thing in the world. I've never met people who have kids who haven't looked me in the eye and been like, 'It's the greatest thing that's ever happened.'
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When I started playing in bands, we had to be apologetic for what we did. We had to be apologetic because the mainstream was so bad.
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That's what is incredible about human beings, is the choice to keep going.
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If you're in a conversation with me, the last thing I'll probably say when I'm walking away is, 'Thank you and sorry.'
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I'm a part of your life. You might not know it, but I am.
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Human rights, no matter whom they affect, are something that should matter to all of us. It's always been a part of my life.
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My grandparents got out of Poland right before the Holocaust and came here, and the only thing that mattered was surviving.
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Everybody has this sack they're carrying. Some are heavier. Some are lighter. But no one doesn't have it. And if you think someone doesn't have it, they have a bigger one than you imagine.
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The way that people have gotten on board with me is the most encouraging thing in the world, but it's all very connected to the 14 years I've been on tour with Steel Train, even my band before that, Outline, and then fun. and now Bleachers.
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I don't like having to be pushed into a box.
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I love working with women.
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At least for me, any time I've been in hotbeds of creativity, I got excited about something that wasn't coming from me.
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My father played guitar, so I always wanted to play for that reason. But I think the biggest reason was just the '90s in general - growing up listening to the Smashing Pumpkins, Green Day and bands like that, and going to concerts and thinking it was the coolest thing in the world.
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As straight Americans we have two choices: we can choose to sit back and enjoy our rights as we have them, or we can realize that it is actually not freedom at all when our friends, family, neighbors, and colleagues do not share these basic rights.