Bernardo Bertolucci Quotes
What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. 'The Dreamers' was a total homage to cinema and that love for it.

Quotes to Explore
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We have confirmed something we only knew in theory, namely that revolution, in which uncontrolled and uncontrollable forces operate imperiously, is blind and destructive, grandiose and cruel.
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As in any technological revolution, there will be winners and losers. On balance, everyone will come out ahead, although there will be particular companies that will not be able to cope with a new environment.
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Roosevelt was the one who had the vision to change our policy from isolationism to world leadership. That was a terrific revolution. Our country's never been the same since.
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We are redefining and we are restating our socialism in terms of the scientific revolution.
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Despite a certain amount of rhetoric, such as 'the second American Revolution,' there is a fair consensus about which events in the affairs of a people can rightly be called revolutions. It is also clear that such revolutions are proper objects of study for the historian.
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My great-grandfather fought with the Colonial Army in New England in the American Revolution.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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You can have a revolution wherever you like, except in a government office; even were the world to come to an end, you'd have to destroy the universe first and then government offices.
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America's present need is not heroics but healing; not nostrums but normalcy; not revolution but restoration.
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Ralph Miliband was a socialist intellectual of great integrity. He belonged to a generation of socialists formed by the Russian revolution and the Second World War, a generation that dominated left-wing politics for almost a century.
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Communications devices were always used to effect change, to effect revolution. Telephone, telegraph - these all seemed like very big enhancements at the time.
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There's nothing wrong in suffering, if you suffer for a purpose. Our revolution didn't abolish danger or death. It simply made danger and death worthwhile.
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There were people in Cuba who truly had substantial things to gain from revolution. There were people who had things to lose in the revolution. I think they're all allowed to have their memories of what happened.
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Every revolution has its counterrevolution - that is a sign the revolution is for real.
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The English have all the material requisites for the revolution. What they lack is the spirit of generalization and revolutionary ardour.
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Every actor in his heart believes everything bad that's printed about him.
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The main difference between the Prague Spring and the Velvet Revolution was that the former was mostly the work of Communist party members and others who wanted to bring about 'socialism with a human face.'
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I'm not in the business of bayoneting the wounded. I feel the blockchain revolution is kind of my victory. I don't care whether I win it, someone else wins it.
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There are people who have demonstrated their willingness to challenge systems and structures, and then when it comes to elections, some of those same people - I don't know where their fight went. What's interesting to me is to see people lose the revolution when it comes to elections.
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This republic represents the greatest basis for that universal socialist order, the creation of which is at the present time the historic task of the International Proletariat.
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Everybody born comes from the Creator trailing wisps of glory. We come from the Creator with creativity. I think that each one of us is born with creativity.
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I was a star in Italy, Austrailia, Germany and Japan before the American stations ever paid attention at all.
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I can't speak in too much detail about a book or story I'm working on because I find that it takes the energy out of my writing. When I begin to work, it's like a soda bottle that's been jostled before it's opened. There's a lot of pent up energy in there. I have to let it out slowly, carefully, so that I can turn it into a written work.
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What happened in the late Fifties, early Sixties in French cinema was a fantastic revolution. I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. 'The Dreamers' was a total homage to cinema and that love for it.