Charlie Hunnam Quotes
I was a little bit wary of playing Nicholas. In the script, which I think is true of the novel and the film, he's the only character not singing and dancing in a musical style. Playing someone who is the personification of good is a little difficult.
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Quotes to Explore
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However good a Constitution may be, if those who are implementing it are not good, it will prove to be bad. However bad a Constitution may be, if those implementing it are good, it will prove to be good.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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Wealth won't give you satisfaction; creating a good product that's well received by users is what matters most.
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Despite what many Americans think, most Soviets do not yearn for capitalism or Western-style democracy.
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Can anything good come of a backward way of thinking like judging someone based on skin color? No way.
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I am not a political writer. I agree with Stieg Larsson and Henning Mankell, who are social writers. I can't write in that fashion. I am not good enough for that. What I am interested in is family dramas and why we are doing bad things to each other and what our motives are.
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Anyone can die. Rule number one is don't get too attached to a character, anyone can go.
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Ninety per cent of how you learn is watching great people. When you are surrounded by good actors it lifts your performance.
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I always try to approach character first and foremost viscerally.
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My daughter loves singing above all else.
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I sort of fall in love with every character I do; you have to understand how they became what they've become, whether they're the ugly kind or the very beautiful kinds of characters.
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You can't give the government the power to do good without also giving it the power to do bad - in fact, to do anything it wants.
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When politicians offer you something for nothing, or something that sounds too good to be true, it's always worth taking a careful second look.
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Writing for me is quite a plastic form, a kind of mental sculpture, although that sounds weird. It acquires its character and its depth as it goes along.
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My daughters are here, and that makes me feel good. And with the spirit of Nick Ashford, I think I'll make it through. I have no choice.
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If I could remake any Eighties project, it would be less an action flick than a character-driven drama with a rich story to tell.
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At the Norman Invasion, the Saxon thanes were themselves humbled in turn; the manors were given a more legal character and transferred to favourites of William the Conqueror.
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I'm the worst rider. I'm a terrible rider. Me and horses are not a good mix. For some reason, people are always trying to get me on a horse in a movie.
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Dietz and Schwartz have sort of fallen by the wayside a little bit, and they are up there with Rodgers and Hart and Irving Berlin and Cole Porter. They are the finest of the revue composers - their stuff is so good and so strong.
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From the time I was little, I always felt like an outsider. I always felt nervous and uncomfortable with myself.
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Of course everyone says they hate baby talk, but mine was not annoying.
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I first read 'Madame Bovary' in my teens or early twenties.
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I was a little bit wary of playing Nicholas. In the script, which I think is true of the novel and the film, he's the only character not singing and dancing in a musical style. Playing someone who is the personification of good is a little difficult.