Charlie Parker (Yardbird and Bird) Quotes
They teach you there's a boundary line to music. But, man, there's no boundary line to art.
Quotes to Explore
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I don't want to put my fate in country music fans; I'm too stubborn.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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If there's anything that would unite the world, it would be music.
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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I listened to country music my whole life. I started writing music when I was a teenager. It all came out country.
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Pretty much I love all types of fish; I pretty much stick with that. I love vegetables. I don't eat too much carbs, but I love salads, though. I'll usually have a salad, except for breakfast.
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Sports without music is just a game. Music makes it entertaining.
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But anyone who knows anything about the music industry knows it's not only about the music.
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I've dreamed of being on the road, traveling and touring, for as long as I've been into doing music. It's what I live for. I just wanna be Willie Nelson.
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Mathematics is, as it were, a sensuous logic, and relates to philosophy as do the arts, music, and plastic art to poetry.
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I am fortunate to have the ability to lend my name to build the Olivia Newton-John Cancer and Wellness Centre in my hometown of Melbourne. It will be a state-of-the-art facility to help heal the whole person - body, mind and spirit.
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Music is part of the life of fashion, too.
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Very few people possess true artistic ability. It is therefore both unseemly and unproductive to irritate the situation by making an effort. If you have a burning, restless urge to write or paint, simply eat something sweet and the feeling will pass.
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An album is a whole universe, and the recording studio is a three-dimensional kind of art space that I can fill with sound. Just as the album art and videos are ways of adding more dimensions to the words and music. I like to be involved in all of it because it's all of a piece.
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If it turns out to be a hit, well, good luck dealing with fame. And if it's not a hit and you can still survive and make music you believe in, well, then you're truly blessed. I think that's where we are now.
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Prior to getting into music, I interacted with, on a daily basis, about 5-10 percent of the people that I've interacted with since then. I've been meeting people from different backgrounds and different cultures. That did allow for a lot of change. I've changed as a product of that, but it's been positive.
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All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
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Stories are a kind of thing, too. Stories and objects share something, a patina. I thought I had this clear, two years ago before I started, but I am no longer sure how this works. Perhaps a patina is a process of rubbing back so that the essential is revealed, the way that a striated stone tumbled in a river feels irreducible, the way that this netsuke of a fox has become little more than a memory of a nose and a tail. But it also seems additive, in the way that a piece of oak furniture gains over years and years of polishing, and the way the leaves of my medlar shine.
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In England … everything becomes professional … even the rogues of that island are pedants.
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I'm a really big advocate of ethical fashion. I actually have a travelling boutique called Maison de Mode, which is all about ethical fashion. I also like Maiyet from Paris. They're very Celine-esque in their silhouettes. I love their back story, too: they work with orphans in Colombia and India.
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Gian Luca and I have been together for such a long time, we're in it for the long haul.
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Every film is faced with the enemy of time. Only so much story can fit into the 90-150 minutes of time that moviegoers are willing to stay in their seats. Naturally, compression is necessary. So are the exclusion and amalgamation of characters so that the viewer does not become bewildered.
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They teach you there's a boundary line to music. But, man, there's no boundary line to art.
