Charlotte McKinney Quotes
Quotes to Explore
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I like sitting close to windows.
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Suning Appliance has no problem of financial risk. Do you think I'm risky? I'm definitely not risky.
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I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
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I can work as a writer, but I wanted to do stand-up.
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By gnawing through a dike, even a rat may drown a nation.
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Somebody tell the damn players to start playing like old school.
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If I'm still walking, I am not dead. So I have to still walk and run towards the benefit of Lebanon.
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Well, yes, as I was a rather bad actor then and I wasn't making enough money, I thought, to make enough money to not make money as an actor, I'd better do some writing.
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Since there are only so many ways to kill a person, a good portion of homicides look pretty much alike.
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I'm not courting labor. I come from a labor background. To me, it's just intuitive.
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The last romantic novel I think I read was 'Tess of the d'Urbervilles.'
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Certain it is that their power increased always in an exact proportion to the weakness of the Caliphate, and, without doubt, in some of the most distracted periods of the Arabian rule, the Hebrew Princes rose into some degree of local and temporary importance.
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When men can no longer be theists, they must, if they are civilized, become humanists.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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If you compare me to an actor, I'm probably one of the best boxers in the profession. But if you compare me as a boxer, I'm probably one of the best actors.
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Singing and dancing is not just for the cast of 'Glee'. We can wake up doing both and have it be a natural expression of who we are.
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I'm a terrific mimic, and you can feel my funny bone.
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When I remember my life in Russia it is in totally dark colours.
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One cannot afford to be a realist.
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All works of art are commissioned in the sense that no artist can create one by a simple act of will but must wait until what he believes to be a good idea for a work comes to him.
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Most of the people who are engaged in the subjects that I look into are pretty interesting. Whether its sex researchers or someone who's devoted their career to saliva or somebody who does research with cadavers, there's an inherent fascination in the subject matter of their work.
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My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.
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To avoid being mistaken for a sellout, I chose my friends carefully. The more politically active black students. The foreign students. The Chicanos. The Marxist professors and structural feminists and punk-rock performance poets.
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I work out really hard, and I stay on my diet all week.
