Charlotte Ronson Quotes
I had always wanted to expand to beauty, but I knew I wanted to be able to translate my design aesthetic in an authentic way.
Quotes to Explore
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I was never that kid who used to brag about anything.
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As I moved to less and less diverse places in my life, I realized that white people don't talk about race amongst themselves!
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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I do think that people outside the fashion industry imagine that being a model is what you might call quick, easy money, but it can be very lonely - you have to be quite tough. It's also very physically demanding.
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Recently I've been collecting Star Wars figures again. When I was a kid I couldn't afford them. Now I can so I've been buying them and keeping them in their box for a later date when they'll be worth a lot of money.
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I sometimes wonder how we're short of cod. There's gonna be a load deep down that are hiding. But it's a good reason to put the price up, and it means a load of people will have haddock. They should tell people they're running out of all sorts. Make 'em panic a bit.
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I am not a great theologian. I know there is a theological concept called invincible ignorance in which a strong enough faith binds you to any facts to the contrary.
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I have lots of passions - gardens, art, music and reading. I have eclectic taste and read a huge variety of books.
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To play four hands requires two people who have great affinity for each other.
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If enough people think of a thing and work hard enough at it, I guess it's pretty nearly bound to happen, wind and weather permitting.
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I am a completely horizontal author. I can't think unless I'm lying down, either in bed or stretched on a couch and with a cigarette and coffee handy. I've got to be puffing and sipping.
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It's through engagement with the world, and not separation from it, that something with meaning gets produced.
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But I think the thing I'm proud of about the film is that there aren't many films - either independent films or mainstream Hollywood films - that are like this; it's of its own times, and it's the film Mike Nichols wanted to make.
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I don't see myself in terms of artifice. I see myself as a real person who chooses to live my life in an open way - artistically.
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Have common sense and stick to the point.
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I just mean it's very difficult for me to watch my work, in some ways, because I am critical of what I didn't get across or I thought I was making one point.
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I don't want to play everyone's best friend. I don't want to play the role of a girl struggling in the ghetto. It's not that that story isn't important, but I saw patterns, and was like, 'I don't relate to these people.'
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It is the greatest injustice done to Mondrian that people who are plastically blind see only decorative design instead of the plastic perfection which characterizes his work. The whole De Stijl group from which Mondrian's art was derived must be considered a protest against such blindness.
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When I was in high school in England, I wasn't sure that you could have a career in fashion. In those days, there were very few fashion magazines. I didn't realize there was a school where you could go and learn how to make clothes and design. I thought you just had to be discovered somewhere, like a film.
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Accessories design is one of the most creative categories. It's like cooking, like decorating, because it involves the person. They have to choose, and they have to figure out how to wear it and to mix it based on their style.
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I dare you to show me one example where I haven't discharged my responsibility seriously, professionally and appropriately.
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'I think some of these schemes - and I think particularly of the Jimmy Carr scheme - I have had time to read about and I just think this is completely wrong.
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I had always wanted to expand to beauty, but I knew I wanted to be able to translate my design aesthetic in an authentic way.
