Chaske Spencer Quotes
Quotes to Explore
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You go where you think it's good for your work and your soul to go. I need to go someplace where I am reminded about why I wanted to act in the first place, and for me, that's the theater.
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You've got to live your life, you've got to enjoy it.
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All performers get on stage because they need to feel love from an audience. I might appear confident, but those three seconds before I get out there, I'm a mess. But I have to take the risk; otherwise, I'd be miserable and would feel like I wasn't seeing through my personal destiny.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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I think I did very well against everyone who tried to defend me.
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The promotion of family continuity and stability is a legitimate state interest.
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Sure, I'll have characters drop in and out of books but the main cast of characters always changes. Maybe I'm wrong but I think if had the same joe detective guy or gal, I wouldn't write them as well; I wouldn't do as good a job.
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Now, I don't know how they judge all that, but if anybody in the world deserves to be in the Rock And Roll Hall Of Fame, Ritchie Valens does.
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I take certain steps to make sure I'm relevant artistically. I always have new music and a reason to be on the road. I'm not just playing 'Get By' over and over. I have 12 albums.
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When you get successful, you can do pretty much whatever you want.
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Sound as medium has an incredible elasticity. So, of course, it is tempting for artists of other fields to try something with sounds. Why not? We are living in the age when there is no limit in gathering all forms of art and music to mix it together if you so desire.
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It takes one person to give you a big chance.
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If you look at 'West Side Story,' a lot of those numbers are actually pretty cutty, but the cuts are always musically motivated.
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My Christian Louboutins are also one of the secrets to my not-for-profit success. Here's why - and it's something that everyone who manages employees, whether in a for-profit business or a not-for-profit, should keep in mind: A little extravagance goes a long way.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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It is every intelligent man's experience that evildoing recoils on the doer sooner or later.
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The thing I don't like about detective stories is looking for criminals.
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I lost my mother when I was 7 and they put her in a mental hospital. My brother and I watched her being taken away in a strait jacket. That's something you never forget. And my stepmother was like in the movie 'Precious.' I couldn't handle it. So I said to myself, 'I don't have a mother. I don't need one. I'm going to let music be my mother.'
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I think we have to notice that the business processes we use right now for thinking and planning and budgeting and strategy are all delivered on very tight agendas.
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Well, one hopes that if you're really related to the core of your particular culture, you have profound commitments to it, and that you are aware of how much you can strain it before you do violence to its essential nature.
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No, we are not anti-white. But we don't have time for the white man. The white man is on top already, the white man is the boss already... He has first-class citizenship already. So you are wasting your time talking to the white man. We are working on our own people.
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Well, I would hardly say I do write as yet. But I write because I like words. I suppose if I liked stone I might carve. I like words. I like reading. I notice particular words. That sets me off.
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We have to work together. We have to support each other. When we hear about a wonderful woman, we have to tell other women about her. Help her, prop her up. Give her what she needs. That's a big lesson.
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It's just amazing to do something that's part of a pop culture phenomenon.
