Chaske Spencer Quotes
Quotes to Explore
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You go where you think it's good for your work and your soul to go. I need to go someplace where I am reminded about why I wanted to act in the first place, and for me, that's the theater.
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You've got to live your life, you've got to enjoy it.
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All performers get on stage because they need to feel love from an audience. I might appear confident, but those three seconds before I get out there, I'm a mess. But I have to take the risk; otherwise, I'd be miserable and would feel like I wasn't seeing through my personal destiny.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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I think I did very well against everyone who tried to defend me.
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The promotion of family continuity and stability is a legitimate state interest.
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Sure, I'll have characters drop in and out of books but the main cast of characters always changes. Maybe I'm wrong but I think if had the same joe detective guy or gal, I wouldn't write them as well; I wouldn't do as good a job.
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Now, I don't know how they judge all that, but if anybody in the world deserves to be in the Rock And Roll Hall Of Fame, Ritchie Valens does.
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I take certain steps to make sure I'm relevant artistically. I always have new music and a reason to be on the road. I'm not just playing 'Get By' over and over. I have 12 albums.
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When you get successful, you can do pretty much whatever you want.
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Sound as medium has an incredible elasticity. So, of course, it is tempting for artists of other fields to try something with sounds. Why not? We are living in the age when there is no limit in gathering all forms of art and music to mix it together if you so desire.
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It takes one person to give you a big chance.
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If you look at 'West Side Story,' a lot of those numbers are actually pretty cutty, but the cuts are always musically motivated.
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My Christian Louboutins are also one of the secrets to my not-for-profit success. Here's why - and it's something that everyone who manages employees, whether in a for-profit business or a not-for-profit, should keep in mind: A little extravagance goes a long way.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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It is every intelligent man's experience that evildoing recoils on the doer sooner or later.
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The thing I don't like about detective stories is looking for criminals.
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I lost my mother when I was 7 and they put her in a mental hospital. My brother and I watched her being taken away in a strait jacket. That's something you never forget. And my stepmother was like in the movie 'Precious.' I couldn't handle it. So I said to myself, 'I don't have a mother. I don't need one. I'm going to let music be my mother.'
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Well, it is curious what lasts and what doesn't. Publishing empires and whatnot would pay anything to figure it out. But they can't figure it out.
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I would rather entertain and hope that people learned something than educate people and hope they were entertained.
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I think all aesthetic judgments-all the aesthetic choices we are making-are moral choices. They cannot escape the moral dimension in the broader sense. It has to relate to the philosophical understanding of who we are and how so-called 'art and culture' functions in today’s world.
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In our generation there is no agreed-upon framework. All issues are up for grabs. Morality no longer has any broad-based theology upon which to rest its case. We are no longer a 'Christian nation,' not even a 'Judeo-Christian culture.'
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When you see the audiences and the smiling faces at the shows it really makes up for the work that you put in. I have a job I really love so whatever hecticness comes up - I'll just deal with it.
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It's just amazing to do something that's part of a pop culture phenomenon.
