Karyn Kusama Quotes
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I think being a young female star must be really, really pretty rough.
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When I reflect on the losses I've experienced, I've come to believe that those experiences were transformative, that they shaped who I am.
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Making 'The Invitation' and waiting to make it on my terms and getting final cut and doing it the way I needed to do it was incredibly challenging, but it has really been so great for me. I'm so thankful that that's happened, that I got to work with actors I really like and have just such a good experience in delving into that story.
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I think that idea that sort of our emotional self and our emotional life is a faucet that you turn on and off, and that we are in control of it entirely, that's a really appealing idea for a lot of people. But there are certainly the times where it's appealing to me, but it never quite works the way I hoped it would.
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It's hard to prep a movie in five days and shoot it in five days and cut it in barely any time. You don't get quite enough time to make the thing, let alone tell the story.
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Making movies, even though it's a business, is also an art, and sometimes you don't hit the bull's-eye.
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I assumed a business like a film studio would behave like a business and still want to protect its own interests, still do the best it could to get as many people paying for as many of their movies as possible. I realized this is not actually a business about business: it's a business of egos and dominance.
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I would love to take another stab at really smart, speculative sci-fi - my first was a bit of a stumble. I look forward to getting another chance.
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I just know I have so much to teach my child. And I just feel kind of like, what would our world be without mothers? What would our world be without mother love? I don't think we'd have a world.
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I think there is really something we need to examine about the notion of careers, and are women encouraged and given the same opportunities to have vital healthy careers in which they are challenged by certain things, they try new things, they struggle, maybe they stumble, maybe they fail, and then there's more room to succeed as well.
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Sci-fi and horror, particularly, allow a storyteller to depart from, let's say, the demands of cinema verite or kitchen-sink realism or, even, just relatable dramas and can go into areas that are either - in the case of horror - more primally effective or, in the case of sci-fi, more speculative or imaginative.
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What fascinates me is that when we look at the history of women in politics, so frequently the women who get the farthest are the women who are quite conservative in their political views.
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The best horror walks a line that's completely on a psychological level, not needing the typical tropes of traditional horror filmmaking, then also having to tease out those elements in a way that makes the audience feel like they know what they're in.
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I don't get to make many features. It's not like that's something I can just snap my fingers and make happen.
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Along with loving the script, the reason I did 'Aeon Flux' was because I needed the job, and I couldn't find $5 million to make a movie independently - after making a fairly successful movie for a million dollars.
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I would love to make lighter entertainments that have you sort of hopping and skipping and jumping out of the theater, but part of me just doesn't know how much I believe in that, as much as I want to.
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What I do think is really interesting is that, as I get older and more mature, I'm really attuned to how frightening this world is that we live in.
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One of the uncertain pleasures of adulthood, for me, has really been about confronting how little I know about the world and how much completely baffles me about the world and human behavior.
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I think I was a pretty anxious dreamer, maybe a fundamentally lonely kid.
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I'm ultimately drawn to film many kinds of stories if they are sort of about unlocking the secrets of our human potential.
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'The Invitation' is a meditation on grief and loss carried within a suspense drama. At its core, it's about a dinner party gone horribly wrong and about the consequences of denying our pain.
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Our society is constantly creating this framework for girls to feel that their only worth is their appearance, and it's damaging on so many levels to so many people.
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To me, sound is a crucial component to, really, any moviegoing experience, but particularly with suspense films or thrillers. I think you need the audience to become subtly really attuned to the soundscape in, like, this uncomfortable way.
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The genre of horror is really just a way to manage much larger, much more terrifying realities in our daily worlds.