Karyn Kusama Quotes
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Claire Denis's 'Beau Travail' is one of Denis's greatest achievements. One of the most mysterious and beautiful endings in movies.
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The short form, for those people who can master it - and I am by no means one of them - it is very admirable, because it is really hard to tell stories that can stick with the audience and still be between 5 and 30 minutes long. I think it's a real challenge.
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I'm ultimately drawn to film many kinds of stories if they are sort of about unlocking the secrets of our human potential.
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There are times when I'm kind of anti-social, I'm just really shy, and I don't feel like I fit in, and I then attribute that to some emotional state that's crippling me.
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The genre of horror is really just a way to manage much larger, much more terrifying realities in our daily worlds.
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Somehow, even though you have less time and less money, the thing about making indie films is somehow you have another kind of resource: a human resource, where you can really look to your creative colleagues and actually ask questions that are honest.
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Reading the script for 'Jennifer's Body,' I just thought that here was a script that really exposes the horror between girls and friendships. I always sort of approached the film with that in mind first, and then thought about the crazy ways that that horror would express itself.
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I'd like to be making more films more frequently, but I do find that making movies, for me, has proven to be an extremely challenging road. No movie is easy; no movie has come together quickly.
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To me, the thing that sets us apart from so many other animal species is our ability to ask questions, investigate, gather information, come to our own conclusions, and sometimes depart from the pack, sometimes move away from the tribe.
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Best advice: 'Just be yourself.' Worst advice: 'Just be yourself.'
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I think we forget that part of parenthood means having to face and reject or face and embrace a kind of animal capacity for unkindness. And if, when, parents do embrace that, it reveals something very ugly to oneself.
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I love horror. It's funny, because 'The Invitation' never struck me as horror, but it's definitely that type of thriller.
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I'm a director first and foremost, and I hope that the fact that I'm female is just one of the many things that informs my unique perspective on the world.
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It's important to tell meaningful stories and to find new ways to communicate those stories to people.
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I think there are always going to be people who say, even if they are engaged in the movie, they just want it to move faster.
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The nice thing about movies is that you can sort of steer your audience toward seeing that there's discomfort, but there's also this sense of, 'Well, we'll tolerate this weirdness because maybe it'll be interesting.'
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If you look at most mainstream filmmaking, to be honest, some of these films aren't even asking questions anymore at all.
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When horror films are made in times of political strife, I think they're not made with an instinct to add to the chaos but to bring shape to it.
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I am a mother now, and I'm a mother to a son, and I want him to go into the world a feminist. I want him to go into the world with compassion for humanity.
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I'm just hoping that as I get older, and as more and more movies get made by female directors, what we start to see is how, in the same way good male directors get a shot at creating interesting male and female characters, women do as well.
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It is important to know what audiences might expect from their genre movies, but I think it is also important to not give them everything they want. As a viewer, I think it can get pretty boring that way.
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I don't necessarily believe that stories need closure. I just believe they need a beginning, middle, and end, but the end doesn't have to prevent us from continuing to grapple with the story at hand. It ideally should demand that we remain engaged with the story.
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I guess because there aren't many women working in the kind of variety of spaces that I've had the opportunity and privilege to kind of work in, that there is this extreme scrutiny about my career.
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I have had to really grapple with the fact that, while I wish things could be different at times, I ultimately needed to experience the transformation that comes with pain and loss and sorrow.