Katherine Moennig Quotes
Quotes to Explore
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We can help a whole lot of people if we could figure out a way to expand Medicaid and get people the care that they need.
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If you think about it, you can have the best CGI, but you can always tell that it is CGI. Your brain can spot that is not real even though you think it looks cool. Your brain knows the truth, so you don't jump and you don't scream. It was very important for me to expose the audience to real elements.
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Last year in a historic move, the state of New York passed the very first cigarette fire safety standard.
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Jenna's traveled with me; they've both traveled with their dad. This is the only time they've been old enough in all of their dad's campaigns to really be involved in.
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I do not suppose I shall be remembered for anything. But I don't think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
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It's always difficult with the superhero stuff because you're working with characters who have been written by 100 to 200 people over the past 20 years, at least, so they never sound the same or act the same. The best approach is to try to draw the best fitting line through all of the interpretations.
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Cinema affects everything, from the way I get dressed to how I build my stages.
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I don't believe that intelligence can be reduced to a number, frankly. But I can see how doing exactly that produces a useful sorting mechanism in our society in order to separate children into categories of promising and doomed. The tests seem arbitrary and without real scientific value and yet have lasting consequences.
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I just didn't realize how powerful 'CHiPs' was.
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At some point, you're going to have to be willing to take a punch for your team. If your employees or your teammates will see that you're willing to do that, they are more likely to be loyal to you, and your team is more likely to function better.
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I read Shakespeare when I was 14 because it's what we were taught.
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I have a deep and ongoing love of Iceland, particular the landscape, and when writing 'Burial Rites,' I was constantly trying to see whether I could distill its extraordinary and ineffable qualities into a kind of poetry.
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The thing about tennis is if you stay off for two weeks, or just for three days, you can lose your rhythm quickly. So it's just a question of constant diligence and vigilance.
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We are born believing. A man bears beliefs as a tree bears apples.
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A woman caring for her children; a woman striving to excel in the private sector; a woman partnering with her neighbors to make their street safer; a woman running for office to improve her country - they all have something to offer, and the more our societies empower women, the more we receive in return.
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A lot happens in 20 years.
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I love literature deeply. I view books as sacred things, and in writing my story, I'm going to do my best to honor the form that has played such a huge part in shaping who I am.
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I have admired David Bromley's work for years. He possesses such a wild and vivid imagination and really sees the beauty in everything.
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Rather than dull our consciences to the unmitigated violence of abortion, the passage of time has only enabled us to see and, frankly, better understand the innate cruelty of abortion and its horrific legacy - victims - while making us more determined than ever to protect the weakest and the most vulnerable.
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We had this neighbor who was an actor, and he was going to an audition one day, driving by our house, and he asked if I wanted to tag along. He was reading for the part of the father, and they were reading for the part of the son the same day, and he told me to sneak in there and make it look like I knew what I was doing.
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Nothing is less in our power than the heart, and far from commanding we are forced to obey it.
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I always wanted to be an artist, whatever that was, like other chicks want to be stewardesses. I read. I painted. I thought.
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I would not want to play a girl who masquerades as a boy for the rest of my life.
