Katherine Ryan Quotes
Quotes to Explore
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I enjoy pushing my characters to the limit. No matter how far out there I go, I look for things that make the characters human.
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There are certainly things labels can still provide that indie artists can't. They can pave the way to radio and pay big bucks for promotion.
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Vilification on the grounds of race or religion is always wrong. There's no place for inciting hatred within our Australia society.
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My father had very little formal education.
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Here's how adaptation works - almost everything in the movie is in the book in some form. But it's as though the deck has been completely reshuffled and some of the cards have been assigned different values, some of the fours have been made into jacks, and some of the jacks have been made into twos.
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The Oscar or the Emmy says you've reached a level of competence in this business, and I would love to have one.
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I'm very respectful in everything I wear. I think about it.
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My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie joint called Utah Coal & Lumber that was one of only two or three restaurants at that time. Park City was a sleepy little mining town, with not a condo in sight.
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I never thought for a second that anything I ever did was going to make someone cringe. That never occurred to me.
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Reading was not just an escape or a Band-Aid; it was a deep form of feeling seen and recognized, and being able to see and recognize other kindred spirits. My dad was a writer, too, which also likely had something to do with that.
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Every day, nay every moment, try to do some good deed.
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We have learned how to do a lot of things. We must try to relearn why.
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The most important thing is posture: when you get old, it's the way you walk, the way you stand, that shows it.
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Bearing an eternal longing for Jewishness, I threw myself in all directions and left to work for another people. I am not one of those lucky ones raised in their own environment, whose work is normal.
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The retired L.A.P.D. motor cops who work set security now, all wear the same uniform, they're great guys with great stories, and they're great at their job, providing security on sets.
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I have my hopes, & very distinct ones, too, of one day getting cerebral phenomena such that I can put them into mathematical equations: in short, a law or laws for the mutual actions of the molecules of the brain (equivalent to the law of gravitation for the planetary & sideral world).
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There's a lionfish cookbook put out by the Reef Environmental Educational Foundation, and it tells you how to catch them, how to clean them.
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I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.
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I really hate rubber ducks, actually.
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You need the rhetoric of others, the aversion it inspires, in order to find the way out of your own.
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YouTube is the place where people go to consume advertisements willingly. It's some capitalist dystopian nightmare.
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I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
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When you're little, every experience writes on the canvas of who you are.
