Kathleen Hanna Quotes
There are so many great artists that are doing interesting things, that I don't want to focus on boring people.
Quotes to Explore
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I've always loved to help people, young people in particular.
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I was lucky enough to go home and raise our babies.
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The expression a woman wears on her face is far more important than the clothes she wears on her back.
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I listen to 'deep dish house'.
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I have a general sense of mission, and I intuitively know when something is influencing that mission. I think this is what I'm supposed to be doing. Doors keep opening. In the end, it's the best use of my skills. I've finally consented to the idea that I'm an artist.
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Inevitably, I think the people that want to work with me are also the people that I want to work with.
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As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
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My mother and my grandmother are pioneers of Mexican cuisine in this country, so I grew up in the kitchen. My mom, Zarela Martinez, was by far my biggest influence and inspiration - and toughest critic.
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He who gives love, receives love.
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What we have done, the result of that comes to us whenever it comes, either today, tomorrow, hundred years later, hundred lives later, whatever, whatever. And so, it's our own karma. That is why that philosophy in every religion: Killing is sin. Killing is sin in every religion.
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I used to think drinking was the only way to be happy. Now I know there is no way to be happy.
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I have always appreciated the honest brutality of the international film world. One need never doubt one's worth in the market. Mine was zero.
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God judged it better to bring good out of evil than to suffer no evil to exist.
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Politics is a good thing!
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What's going on in the inside shows on the outside.
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My family didn't have any money growing up. I'm just a girl from the ghetto; from Indio, California.
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I don't try to hurt people in any way, and I try to help out wherever I can.
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A lot of recent comic book adaptations have gone two ways: either they're striving for some kind of realism, like 'Iron Man' or 'The Dark Knight,' or they're very stylised and gritty, like 'Sin City' and '300.'
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The Cannes film festival is about big-budget films but also remarkable films made in different political regimes by film-makers with little resources.
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I love CG - it's a great tool. I just don't think you should use it to replace reality; you should use it to augment and enhance. Do matte paintings, do composites, do replications, stuff like that, but you're taking something real and working with that as opposed to trying to fake it from scratch. The human brain can tell the difference.
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Obviously the first sentiment is disappointment that we didn't get the car home and more disappointment that at the time that it stopped the car was in the lead.
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People think the chorus is the hard part in 'Take on Me,' but they're wrong. The hard part was making the verses bounce.
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In the early 1930s, flying from England to Australia was the longest flight in the world. It was considered extremely dangerous and hazardous, pushing pilots to the limits of mechanical skills and human endurance. Aviation was young.
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There are so many great artists that are doing interesting things, that I don't want to focus on boring people.
