Eugen Berthold Friedrich Brecht (Bertolt Brecht) Quotes
Quotes to Explore
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I like wearing things that are a bit off but not in a ridiculous 'I'm wearing a huge hat' kind of way. More a socks with sandals way.
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Bad company is like a nail driven into a post, which, after the first and second blow, may be drawn out with little difficulty; but being once driven up to the head, the pincers cannot take hold to draw it out, but which can only be done by the destruction of the wood.
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In Men in Black, it was a very small character, no pun intended.
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Censorship is the thing that stops you doing what you want to do, and what writers want to talk about is what they do, not what stops them doing it.
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Here's something I probably shouldn't be saying: I never listen to my soundtrack albums because I can't stand it. It's just stereo. When I write, I write in surround. My life is in surround.
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Movies can provide tear-inducing or comically-entertaining representations of love, but many agree that its deeper conflicting complexities often seem unfathomable.
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That case with my two sisters? That was a disaster. It was. They're really fine people. When my family and my two sisters' families - their children - grew up and so on, it just wasn't the same. But we took care of them very nicely.
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I find that on serialized television it's wiser to hit the ground and look forward, and take the cues from the writers and the events happening, otherwise you just tie yourself in knots.
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All my life, people have made fun of the way I speak. I guess because a lot of my vocabulary is made up of things that other people say. I started making fun of them and imitating them and now that's how I speak.
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I think there's this essential human desire to have a unified field theory. Everyone is like, 'I want to unlock the single secret to 'Lost.' There isn't any one secret. There is not a unified field theory for 'Lost,' nor do we think there should be, because philosophically, we don't buy into that as a conceit.
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Man is the religious animal. He is the only one that's got true religion, several of them.
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I pecked my stories out two-fingered on the Remington portable typewriter my mother had bought me. I had begged for it when I was ten.
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When you're 19 and writing plays, you think every actor is full of it. They just can't handle your brilliant material.
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I'd rather have 100,000 people who really get what I'm doing and like it for what it is than a million who can take it or leave it.
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I taped the autopsy photos from Marilyn Monroe's death to my lunch box in fifth grade, and I would write stories in which someone inevitably died.
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It's more than magnificent - it's mediocre.
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Every great culture has cared a lot, one way or another, about the fate of its girls.
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I have a message for the young kids. Life is about obstacles, endeavors in life are not to be overlooked.
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All war presupposes human weakness and seeks to exploit it.
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When you're working well, you don't do research. Whatever you need comes to you.
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It's the subconcussive hits, the constant bam, bam, bam that linemen like Suh give and receive. Those are the hits scientists say cause the lasting damage to the brain, the kind of injuries that made guys like Mike Webster, Terry Long, and so many others go crazy. The subconcussive hits - every single play.
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I want to be in control of how my music is released and how I create it. What people don't talk about when they talk about major labels is how many artists get dropped or funding gets dropped when they don't recoup quick enough.
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I don't believe a thing about a curse. I don't understand how we can talk about a curse. You have to remember, God is blessed and man can't curse, no matter how hard they try.
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Right is its own defense.
