Eugen Berthold Friedrich Brecht (Bertolt Brecht) Quotes
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
Quotes to Explore
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By adopting a wonderful mutt, you'll save a life and help reduce animal homelessness while also boosting your chances of a more robust new furry friend, as mixed-breed dogs have demonstrated better health and longer life spans than their purebred cousins.
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I've always been into sports and yoga and running. I actually study a martial arts self-defense program called Krav Maga. I can't quite say it's easy, but it's fun for me and I love to do it.
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I'm not a control freak.
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I stay true to myself, my daughter. I just remember where I came from - I remember what I'm coming from - and then I remember why I do what I do.
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Children are apt to live up to what you believe of them.
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I am very close to my brother Ramesh Babu. When my father was away for shootings, my brother would take care of me, and I am very close to him, and yes, Dad's always special. He used to call me and enquire about my film's progress. Whenever I deliver a hit, I can see a glow on my father's face.
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The shoe that fits one person pinches another; there is no recipe for living that suits all cases.
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I admit I do have some drawbacks and limitations as a candidate. Although I am a professional comedian, some of my critics maintain that this is not enough. I cannot deny that I stand before you untested and inexperienced - I only spent two years in television, never as a romantic lead or a song and dance man.
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There's this perception sometimes around here that I'm this Hollywood guy.
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In midlife, we're as dumb as we get.
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Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
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I've always been interested in strange foods, coming from all different places.
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Curiosity is lying in wait for every secret.
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I think everybody understands the fact that the right person will be cast for the role. So it's not theirs really to lose; they're just trying to find the right person.
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Small lending institutions lack the capability of their larger counterparts to hire the additional manpower necessary to deal with the hundreds of additional regulations created by Dodd-Frank.
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Plot is just not my gift. I'm fascinated with complex characters, and that doesn't mix well with complex plots. And by the way, when the plot is simple, you can move one piece around and make it feel fresh. 'Hell or High Water''s a good example: I don't tell you why the brothers are robbing the bank.
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Stand-up comedians say that anyone in the audience can be funny, but people paid to see us because we're just a little bit funnier. In the same way, I think anybody can play music - in fact, I think everyone has music in them, but some of us can do it a little better.
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One of the best pieces of advice I ever got was from a horse master. He told me to go slow to go fast. I think that applies to everything in life. We live as though there aren't enough hours in the day but if we do each thing calmly and carefully we will get it done quicker and with much less stress.
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I've always jealously guarded my feminine mystique. I've been married twice, and neither of my husbands has ever seen me put my face on.
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Generally my songs are just some riffs slung together as an excuse for a guitar solo.
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Leadership is all about unlocking the potential in others.
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'The New Yorker's' drama critics have always had a comparable authority because, for the most part, the magazine made it a practice to employ critics who moonlighted in the arts. They worked both sides of the street, so to speak.
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There were weekends and evening hours. A lot of time went in to defend what proved to be a deceitful action.
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We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
