Eugen Berthold Friedrich Brecht (Bertolt Brecht) Quotes
We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
Quotes to Explore
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By adopting a wonderful mutt, you'll save a life and help reduce animal homelessness while also boosting your chances of a more robust new furry friend, as mixed-breed dogs have demonstrated better health and longer life spans than their purebred cousins.
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I've always been into sports and yoga and running. I actually study a martial arts self-defense program called Krav Maga. I can't quite say it's easy, but it's fun for me and I love to do it.
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I'm not a control freak.
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I stay true to myself, my daughter. I just remember where I came from - I remember what I'm coming from - and then I remember why I do what I do.
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Children are apt to live up to what you believe of them.
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I am very close to my brother Ramesh Babu. When my father was away for shootings, my brother would take care of me, and I am very close to him, and yes, Dad's always special. He used to call me and enquire about my film's progress. Whenever I deliver a hit, I can see a glow on my father's face.
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The shoe that fits one person pinches another; there is no recipe for living that suits all cases.
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I admit I do have some drawbacks and limitations as a candidate. Although I am a professional comedian, some of my critics maintain that this is not enough. I cannot deny that I stand before you untested and inexperienced - I only spent two years in television, never as a romantic lead or a song and dance man.
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There's this perception sometimes around here that I'm this Hollywood guy.
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In midlife, we're as dumb as we get.
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Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
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I've always been interested in strange foods, coming from all different places.
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Curiosity is lying in wait for every secret.
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The fact that we're living in a country where 90 percent of the people want further gun laws - to maybe somehow put a dent in some of this insanity that's happening - and yet there's no further legislation taking place, it's very frustrating and upsetting.
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I think everybody understands the fact that the right person will be cast for the role. So it's not theirs really to lose; they're just trying to find the right person.
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Small lending institutions lack the capability of their larger counterparts to hire the additional manpower necessary to deal with the hundreds of additional regulations created by Dodd-Frank.
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Plot is just not my gift. I'm fascinated with complex characters, and that doesn't mix well with complex plots. And by the way, when the plot is simple, you can move one piece around and make it feel fresh. 'Hell or High Water''s a good example: I don't tell you why the brothers are robbing the bank.
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Stand-up comedians say that anyone in the audience can be funny, but people paid to see us because we're just a little bit funnier. In the same way, I think anybody can play music - in fact, I think everyone has music in them, but some of us can do it a little better.
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Once introduced discontinuity, once challenge any of the properties of visual space, and as they flow from each other, the whole conceptual framework collapses.
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I really connect with those moments of doing missionary work down there and just seeing the people that are dying from disease and hunger and malnutrition.
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Everybody has problems. Everyone has issues.
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I know what I am able and not able to do. Fashion? OK. Fashion... clothes in theatre, in an opera, in a concert - all that I love. To make a movie myself... no!
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My basis of morality is this: does this action enhance life, or does it denigrate life? Does it build up or does it tear down?
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We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.
