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To me, rock music was never meant to be safe. I think there needs to be an element of intrigue, mystery, subversiveness. Your parents should hate it.
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I often find myself listening to a record because a lot of people or magazines have told me it's good and I'm supposed to like it, and I try to stay in touch with what's happening and I'm also a fan of music. I find myself trying to like something that I really don't think is that great.
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Bow down before the one you serve, you're going to get what you deserve.
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I have been wildly enthused about gaming since I was younger, and a career path I chose not to go down but did really consider was getting into programming and game design.
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Why don't the Grammys matter? Because it feels rigged and cheap - like a popularity contest that the insiders club has decided.
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I think early on in my career, I was heavily inspired by bands like Throbbing Gristle and Test Dept, and films of David Lynch, for example, where the soundscape plays a very important role in the listening experience.
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I've learned to recognize, a lot of it forced through the process of recovery, that I'm wired wrong in certain ways; the chemical balance of my brain is off in terms of depression a little bit.
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I've become impossible, holding on to when everything seemed to matter more.
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With a Nine Inch Nails show, I'm building on a legacy that comes with a certain set of expectations. I have to push that forward, I have to reinvent myself, I have to feel current and valid.
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I need boundaries. In the modern studio there are a bunch of instruments around me, and I can simulate anything I can't play, so sometimes the palette feels too big.
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iTunes kind of feels like Sam Goody to me. I don't feel cool when I go there. I'm tired of seeing John Mayer's face pop up.
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God is dead, and no one cares! If there is a hell I'll see you there!
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Spotify - I met those guys before they launched in America and was wildly excited about the idea. 'Wow, this is all the music in the world, for a flat fee.'
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I was excited by the process of Pandora, which I still think is a decent product. Not as great in actuality as it sounds. After the first hour, its weaknesses start to show up.
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Making noise is easy; making stuff people understand is an easy thing to do.
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Being in a band with my wife, I'm very aware of the multitude of ways that can go wrong. We're best friends and are interested in the same things, so it's natural to make music together.
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I'm very much aware of the dangers of becoming a cliche. Mr. Anger, someone who gets meaner, angrier on record.
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I'm not Prince or Rivers Cuomo, who brags about having hundreds of great songs.
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Anyone who's an executive at a record label does not understand what the Internet is, how it works, how people use it, how fans and consumers interact - no idea. I'm surprised they know how to use e-mail.
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Books are better than movies because you design the set the way you want it to look.
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I'd rather not get into what I'm talking about lyrically. I think it's impossible not to demystify a song when saying what it's about. Music and art can be damaged severely by too much information; I say that as somebody that has participated in that.
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Any time I sit down and write music, the first part of that is always centering myself and thinking about who I currently am.
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Sometimes we pee on each other before we go on stage.
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I think the reason I was 23 before I ever wrote a song was that I was afraid of testing myself. What would I do if I discovered I didn't have anything to say?