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Today, if you do put out a record on a label, traditionally, most people are going to hear it via a leak that happens two weeks - if not two months - before it comes out. There's no real way around that.
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Try to find the right balance of keeping things exciting and treating your audience with respect, and also treating yourself as an artist with respect.
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Today's political climate does not allow the luxury of apathy.
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I miss how a record label can help spread the word that you have something out.
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The least responsive audience I can ever remember playing to.
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There's something exciting and incredibly liberating for an artist to finish something Friday night and the world hears it Friday night instead of eight months later after marketing people and all those assholes get involved.
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I'll be there for you, as long as it works for me. I play a game, its called insincerity.
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I want to do something that matters.
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To switch right into creativity usually takes a bit of time, and this came up right at that juncture where I thought, okay, here's an opportunity to work with somebody I really respect in a new medium.
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It's one thing to sit back and say, 'Hey let's play a club, that will be great,' but then you get there and say, 'Hey wait, this is the dressing room? Where's my dressing room?'
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People are always saying, 'You're really nice, I thought you were going to be a complete asshole.' I'm getting pretty fed up with it. I just want to say to them, 'Well I could always piss on your head.'
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I thought Big Sur would be a great break after the tour. You'd walk down this rickety ladder to this not-very-pretty beach scene; crashing waves, moss-covered rocks, weird ocean life. It was scary. It summed up alot of things in my life, like 'I should be enjoying this, but I'm not.
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One step closer to the end of the world. The one-two combo of corporate greed and organised religion apparently proved to be too much for reason, sanity and compassion.
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One of my biggest heroes and people I was fortunate enough to be around is David Bowie. I look at his career, and he always had the balls to break things that weren't broken, to step away from something and try something new, at risk of failing.
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If I come up with rules or limitations it focuses me in a direction. And those rules can change if you realize it's a dumb idea. You start to mutate it to see what fits best.
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Bowie mattered to me. He reinvented himself so many times - it must have been a daring statement to do that, risking failure. And hanging out with him and seeing him like that - he's my dad's age, born in the same month - when you find someone who's been through a really dark period, which most of his music I care about is from, Low, Lodger, "Heroes" era.... But he came out of it and made something that mattered.
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When I was around Bowie, I was nearing the bottom. When we were touring together, I looked at him as a kind of big-brother figure and I also looked at him as somebody I had a lot of respect for. The age and the period he's at in his life, I'd like to be there some day. He has a kind of content peace about him that's something to shoot for.
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I become irritated when I am being written off as aloof or stand-offish when I'm shy and don't know what to say.
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My doctor says, 'You've got one of the hardest ones to treat because it's not bipolar, it's not up and down, you're always just about a quart low in the mood department.
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For each film, you try to create a whole world sonically, having a sense of identity through instruments used, or recording techniques.
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If I could start again, a million miles away, I would keep myself, I would find a way.
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When an instrument fails on stage it mocks you and must be destroyed!
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There's nothing like a stressful day.
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I'm kind of forced to get out of what might feel more natural and comfortable.