Marion Barry Quotes
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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More than once, I've wished my real life had a delete key.
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To what extent has each one of us contributed to the rise in violence and hatred?
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I am not an autobiographical writer.
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I'm so happy to be in a committed relationship.
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I know I can't plan in this business, but I'm going to keep going as long as I keep getting close... So far, I feel lucky and infinitely grateful for the successes that I've had. I'm just going to keep working hard, and whatever happens, happens.
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I have the feeling of being a very small item on this planet, and literature enables me to express that.
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Whenever I go to L.A., the make-up artist or hairdresser will end up having a conversation about how fat they think they are, and I really just can't take it seriously at all.
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It is enough for a poet to be the guilty conscience of his age.
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I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
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I always wanted to be in a boy band since I was a kid.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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I don't dislike anybody. I love everybody.
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I think the first role I ever played was Mr. Bumble in a production of 'Oliver.'
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I know a lot of people who transitioned and dropped out of society for two years. They don't talk to anybody. They become hermits. They try to do everything alone.
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I've always loved improv. It's my thing.
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It was a good chance for us to play for people who would never have heard us otherwise.
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Easy answers are never really useful ones, so hopefully we're not trying to peddle easy answers.
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Older teens tend to write to me and say, 'Thank you for not writing down to teenagers.' And then there are the letters from adults who say, 'This is such a good book; why did you write it for teens?'
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I realized there might be monetary or financial reasons to jump in and write a 'Winter's Bone Retriumphs' or something, and nobody would object to me doing that in publishing. But it would be a waste of my time, and they always take a little longer than you thought they would take.
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His ignorance is encyclopedic.
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When you know more, you can do more.
